I NEVER LOVED A MAN (THE WAY 1 LOVED YoU) Slow Blues Feeling heart break - er, ' thought Es Jet you do you got one 1 don't know 1 these things to you'll nev = er © 1966 Fourteenth Hour Music Corp /Pundit Music USA EMI Songs Ltd., London WC2H OEA. Words and Music by RONNIE SHANNON& — fiends keep tell - ing me you ain't m0 ood way you teat ___ me you hurt me so bad. = Teave you if I could. 1 guess Pm up tight and I'm stuck like __ glue ‘cause 1 ain't best’ you ev -er had. Kiss “me once a gain and don't say we're through ’cause I ain't —3;— the way that 1 the way that IRESPECT Words and Music by Solid 4 beat OTIS REDDING What you want barby I got T ain't gon-na do you wrong while” you gone. e What you need you know I got it I ain’t_gon-na__do you wrong ‘cause 1 don’t wan - na, is for a lit-tle re -spect, when you come home (© 1965 Cotilion Music Warner Chappell Music Ltd., London W1Y 3FAwhen you come home, I'm out to give you all my mon-ey, but all I'm ask- in’ Ooh, your kisses, sweeter than hon-ey, but guess ___what, — SSS = —— Sea : # = I ° in re-turn, — hon- ey, is to give me so here’s my mon - ey, all 1 t you to do for me > : —{— ~ 4 SS == = my — pro-per re ~ spect when you get home. Yeah, is| give_me_some here when you get home. Yeah, odF an ba-by, ba-by, when you get when_ you get Bas > out what it He = take out Repeat and Fade E Se = E ; SSS a ilit'- the ore spect. a ail PF [SS oe 4 4 4 = 7DO RIGHT WOMAN DO RIGHT MAN Words and Music by CHIPS MOMAN & DAN PENN VERSE A Bm/E Slowly J.= 46 cE and I'l al-ways love you, and no - bo-dy. — can make me do Take me for grant-ed, © 1967, Screen Gems-EMI Music Inc./Tree Pub. Co. Inc., USA ‘Screen Gems-EMI Music Ltd, London WC2H OEA/ ‘TRO Essex Music Co. Lid., London SW10 0SZmakes will power weak WS A wo-man’s on-ly —— you should un e She's not just a play - thin she’s flesh and blood, just like her crese.Y Ba NE pg AIH If you want a all day's A To Coda ® Br E ¢ BmjE you've got-ta be a Well, they say it’s a ‘And as long as we're to-2 Féin Pe B6/FH NN? ge - ther, ba - by, show some re - spect for If you want a you've gotta be a D&. al Coda AT Bb7 cH DE ET DE ED Sm @copa A EE B ilDR. FEELGOOD Slow Blues Words and Music by Ee ae GERRY GOFFIN & CAROLE KING 1 don't want no = bod =, ook = ing at me and that man, — Beit my mother, my brother, oF 1 88 9 8 @ Would you be-lieve, I get up, put on some clothesgo out and help we find some-bod-y for this self if 1 can? © 1977 Screen Gems-EMI Music Inc./EMI Blackwood Music Inc., USA ‘Screen Gems-EMI Music Ltd /EMI Songs Ltd., London WC2H OEANow 1 don't mind compa = ny be-cause company's all right with me ev-ry once in a while. — Now | don’t mind com-pan- ¥ bbe cause com-pen- y's all with ‘once ina = while, — me and thet sian bout 1 don't have time —— and sit and chit chat and smile, Don't send me no Doe =tor,Is fill me up with alla those pitas _ Yeaht Yeah! That man takes care of all my pains and ay ills. His name Doc-tor Feel - good in the moring To take care of bus’ - ness one vi = ait to Doe-tor Feel - good, feet good m) St Ani e an se ile ne fol el goood(YOU MAKE IME FEEL LIKE) A NATURAL WOMAN cssc.2scrsene st CAROLE! ny oe GOFFIN & /EXLER (G8 Bas) Moderately FFT] Look-in' out morn-ing rain, SS I used to feel spired.. ? p 4h Bat A E 1 a GE am EEE A And whenI — knewI'dhave to face an - oth - er day, pile ee made me feel so ° f © 1967 Screen Gems-EMI Music Inc., USA ‘Screen-Gems-EMI Music Ltd., London WC2H OEA.Be-fore the day 1 met you, etna wt clna life was so un- kind, Your love was the key to my. peace of (Easy ‘cause you make you make me feel, you make me feel_ like a,18 tt Bmt ei gh a, Hee BR com @ Hill soul was in the A, pot 4 (CH Bass) 5 S He] (G8 bass es know just what was wrong with me,A Amt i] (Ce Bass) kiss helped me . no long - er a chon cto it a doubt ~ ful___ of what I'm liv - int for, ror Dmajt nn aR a DS. al @ Coda py I don't need to (Abas) Oh, ba ~ by, what you've done to mel. (What you've20 done to me!___) make me q Dmast on (Abas) (Good in- side.) D A Bm? i fe fais close to you. You make me feela ant aa (E Bass) Dmajt me. feel like * [ ee tt | Coa You make Bet A (CH Bass)22 CHAIN OF FOOLS Words and Music by DON COVAY c i ot Moderate rock beat a ee a =" #5 = Sb 3 Chain, chain, chain, — & = Ba > aS i te ft . =F 5 = Bee = Se Sh =| 4 =o ee z Zz te + ies += = = += = - oe SS — chain, chain, chain, chain, chain, chain, ‘ = 5 ere UE See oF as tH fF |i ; BE a Se fi = s ce od 7 é es + sé = © 1967 Pronto Music Inc/Fourteenth Hour Music Corp. Warner Chappell Music Lid., London W1Y SFA (Gs SSS chain of fools. foes : FAS S ppp fo: LP tare oF y= jae EE pe === 2 # Ss23 ‘ - —— a = = = ae = ? 7 oo => — For five long years I thought you were my x——-h—| iy SSS ~a x i EE == < 2 But I found —__- Tm just a link in your chain, You got me where you + . - SE i is oe ee a SI — want = me I ain’t no-thin’but your fool. | oe = z SS —s 5 —— = SS = = oes rr ff BE Ss = 5 = =" 2 ——s ss == # = o + - +You treat - ed me FF aa = PEE chain of fools. E -ve -ry chain Ly h. | h, 43 a — ce ce et ope —— Zz SS = Z <——F has got a weak link. a me =F a Ct a N= =) fr c < Zs = + = 7 7bear the strain, told me to leave you a - lone, My: fa -ther said come on said oh, but your— lov - in’ is much too <_* strong, — I'm add-ed to your chain, chain, — chain,_ jes = — chain, chain, chain,_ Grae 3 Ss aS pot ft) te aes PE = + See = Ss = 2h chain, chain, chain, chain of Se ae = g—"*s 3: iE == (Po Mire fo epee = 5 SSS SSS ty == i Z =e + fools._ One of these morn ings —— - : =a | = fae Pht cet oF a SS Ss Ssthe chain is gon -na — break,— But up un-til then — I'm gon-na take all Ican take," hain, chain, chain, chain, chain, chain, chain, chain, chain, Repeat and Fade chain of fools, — Chain, chain, chain,—SAVE ME Mors any CURTIS OUSLEY, ARETHA FRANKLIN & CAROLYN FRANKLIN D A Pp A if some-bo - dy save © 1967 Cotillion Music Inc. Warner Chappell Music Ltd., London W1Y 3FAhy (1.) Pro- mised my-self that was the first ro - mance,— I would-n't give_you_ a (2.3.4. — See block lyric) z sec - ond chance. It’s safe to say, you're sure to find bro - ther the To Coda @ A p after repeat &) F30 D&, (with rpt.) al Coda D E Ad lib, rpt, to Fade E at VERSE 2: Those who love always give the most, We're crying together from coast to coast. Love leaves us cold and hurt inside, ‘These tears of ours aren’t justified. Beggin’ you to save me Yeah, I need somebody to save me. VERSE 3: ‘You're always sayin’ you needed me, You abused my love, set me free. You didn’t need me, you didn’t want me, Somebody help me, this man wants to torment me. I’m beggin’ you to save me Oh oh, save me, VERSE 4: Call in the caped crusader, Green Hornet they know I'm in so much trouble I don’t know what to do. ‘You can think anything about me, save me, Oh yeah. Save me.31 THE HOUSE THAT JACK BUILT Words and Music by BOB LANCE & FRAN ROBBINS Moderately slow G fe C7 § 7 # or HE This was the land_that he worked by hand, It was the dream.of an up - right man, There was a fence. that held our love, There was a gate_that he walked out of, = nf a aE es ss js se =| oe = 7 There was a room. that was filled with love, It was the love-that I walked out of, This is a heartland it turned to stone, This is a house,. it ain't’ no home, = = ee a + = ap ¥ fF oF = os = o : 7 # 2 © 1968 Cotilion Music Inc. Warner Chappell Music Ltd., London W1Y 3FA“< This ‘This is the life, the life that he planned on, the love the same old love in the house that scthelift,— that I de - stroyed the day that I toyed with love in the house that Cr ez | se =F jack built. (The house that Jack_ built) Re-mem-ber this hous Jack built. (The house that Jack built) Re-mem-ber this house oe aa: SS] # Sas 5 = x = SSS 4 3 * 7 a the use of cry ~it brought it on omy self, there’s no de - ny - in’, @ 2 a + = cd # J SSS pS eeaw- fly fun-ny that [did -n’t_ undder-stand_un-til 1 up- right’ man. Up on the hill ev - “ry-thing stands in the house that Jack built. (The house that Jack — built) Re-mem-ber this house_ — SS — (The house that Jack built) Lis - ten; 1 got the house, 1 got the car,I got the rug,— the rock, But I ain't. got Jack, 1 turned my back on Jack,—He said he wasn’t com-in’ back, I turned my back on — Jack,— He said he was-n't com-in’ back. Hy Repeat ad lib, to Fade come on back! _ oh come on back!_Words and Music by TED WHITE & ARETHA FRANKLIN Moderately THINK a-bout what you'e tryin" to do to me __ ‘THINK Let your mind go ee HBr. cota ea Hea Let your self be free Let's go back Let's go back, Let's go Ee t00 much more than tei T didn't even know you, You couldésna’ heen T ain't no pay-chi-a = tists ain't no ES Ea Ee oc-tor with de - grees See what you're do-in’ to me You bet - ter (©1966 Fourteenth Hour Music Corp /Pundit Music, USA. EMI Songs Lid., London WC2H O&A,an & 2 THINK THINK a bout what you're tyin’ to do He 0b, Freed (freedom) Freedom (freedom) Ob, Freezdom__-Yeah_ Free - Ed Freedom (freedom) Oh, Freedom freedom) Gim - me some Freedom —_ Right —. now THINK a tout B88 ‘There ain't notiin' youcould ask 1 could answer you with I want but want gon-nachange_to I'm not (if youa Ed Ea Es beep doin’ things 1 don't) THINK THINK a-tout what you'te tryin’ to do to a Let your mind go Let yourself be free ES rrimes and tak-ing scores, Eg ‘Tryin! to make other people lose their minds Well, be care = ful BBR 0s. atca you don’t lowe yours, Oh $004 a and 1 need you We out each oth = et, ‘There ain't noth = Bs Ef Repeat till Fadeout Hey THINK a bout ‘me. (To the bone for deepness)38 1 SAY A LITTLE PRAYER Not too fast, smoothly Music by BURT BACHARACH Bomaj7 F9 Words by HAL DAVID R.HS |_ | - $ a ; a wake — up. be - fore I put on omy — make - up. bus. dear while rid - ing I think of us, dear. Am7(n05) bp? ie i say a lit tle prayer for say a lit - tle prayer for © 1966 Blue Seas Music Inc. & Jac Music Inc., USA, MCA Music Ltd., London W6 BJA39 Gm? eg While comb - ing my hair now and won - d’ring what At work— 1 just take time and_all —_ through m; f Hg Hg bi dress to wear — a lit - tle prayer for cof - fee break I lit - tle prayer for eb Hn for - ever you'll — stay in| my heart and | 1 will love you for - ev-er and ever, We ne = ver will part, Oh.Dm? Hf Aye Boy Eb pF ee Hi BS how Till love you, To - ge - ther, to- ge- ther, that’s how it must be._ To 1. Smoothly Bh Beh F/tb D i GiGRE EB wet live with-out you would on-ly be heart-break for me for me there is no one butcmI/F rm in love with you Say you love me dim. Ans-wer my I yt poco a poco atWords and Music by ‘STEVE CROPPER & DON COVAY —_—— ii =F a == > Hy ei == fat o— oS a5= SS like a good wo-man ought - I'm your sweet can-dy man, some - times you hurt me so then some _ times a =e a a a a A D a7 my tears run _—~I just never know like where 1 wat ry a 4h © 1965 Cotilion Music Ine. Warner Chappell Music Ltd., London W1Y SFA.43 i ce} OG ig -times you get me out, right be-fore your friends _ You lift, me _up, —— when I'm on the ground — A D Ar D A D Ar 2 Gh i jo 8 @s then you kiss on me ba - by | - soon as 1 get up, child tell me youlove me a~gain.—| yousend me. tumbling down. 4 Your love—islike a see-saw CoS SS SS SSS | your love— is like a see - saw your love— is like aat you, — you jump and ask you to kiss me a - gain, ___ you change just like the wind...is like a see -saw Ad lib to Fade =a — = your love. is like a see - saw your love. is like aDAY DREAMING Words and Music by ARETHA FRANKLIN Cm? Slowly 4 Day-dream-ing and I'm think- ing of you, — day - dreaming and I'm think-ing of you, day-dreaming and I’m think-ing of you, day-dreaming and I’m think-ing of you. Gb Ay GM hsus2 Bp A ome HE Gi) EE flow - ing He’s the kind of © 1972 Springtime Music Inc., USA Carlin Music Corp., London NW? 88Dguy who would say hey ba - bylet’s get a-way, let’s go some place huh, where don’t Bhai? Bb6 Bhiaj? Bb6 eH ” —— == = = ——— care. He’s the kind of Pao br tart ea cm/F f—-—- ——= guy that you give your ev - ‘ry-thing, and trust your heart, share all of your love— till death do you ae Sa = = FRE =H or ere Be ————s. == =| * ss — = J Boma)? Bb6 Bbmaj7 Bb6 HE iid 1 b—} ——____ _—5 SS5 SS-= Cm7/F jen eee ce -——?— 0 Hey ba - by let's get. a - way, let's go where - 1 h es es ee a =? ¢ —— at SS E He === cae = ; a a4 J 48 Om7/F ey £ UW ca S55] == —== — len-ev-er he needs. it. ~RBaRSS Ss (1.2) | want to be what he wants_when he wants it and wht Fa And when he’s lonesome and feel - ing love starved, I'll Ee a ae 5 SS Cm7/F BOF ees7] HE === <=" = ote £ fo + oes = ee = SS = ———— eS lit tle bit more each day. it turns me right on when I “hear him say et Frdream-ing and I'm thinking of you, day-dreaming and I'm thinking of you,-day-dreaming and I’m thinking of you. SH all, _Ab BIG Ebsus2 Bb dream (Think-ing of Gm Ad lib, to Fade $b == AS = = a 5 = TE i a 4 = (Thinking of Day = dream =~ ing | _ 4 = q a 8 s r° DON'T PLAY THAT SONG (YOU LIED) Words and Music by BETTY NELSON & AHMET ERTEGUN c 4 = 108, Swing (ID =4 2) oa ss 8 fn, GB oc ati 3 HH BH GRE Am (1) Don't play that song for me, cause it brings back days that I once knew, thedays that I. © 1962 Progressive Music Pub. Co. Inc., USA Carlin Music Corp., London NW1 88D— spent with you. don’t let them play it, Am it fills my heart with pain, please stop it __ ‘cause I re-mem-berjust a’ whathe said, He cHoRUS, Sante Am dar ling, and 1 know that he (Dar ~ ling 1 love you;you you know thatyou lied, you know that you lied, need you dar - ling I Jove you.) 3 35-35 D.S. Rpt. Chorus to Fade VERSE 2: Hey Mister, don’t play it no more, Don’t play it no more, Ican’t stand it, Don't play it no more, no more, no more. Iremember on our first date, He kissed me and he walked away. I was only seventeen, Inever dreamed he could be so mean. He told me . . . to ChorusYOU'RE ALL | NEED TO GET BY Words and Music by NICKOLAS ASHFORD & VALERIE SIMPSON Moderate (A Bass) dag 7 “A Bass) Like the sweet morn-ing dew I took one look —at you (A Bass) it and it was plain_to see |youweremydes - ti-ny. | With arms o-pen wide__. ‘A. Bass) rs, bass) om (4 Bas) my pride. Tl sac - ri - fice cate__ my life to you.__. go____ where you lead _ © 1968 Jobete Music Co. Inc., Jobete Music (UK) Ltd., London WC2H OEAal-ways there intime of need, — and when my — will —_ a you'll be there—_ to push me up the hill, There's | no, no look ~ ing back — we got love sure ‘nough, that's e - nough. You're all - g ARR AR you're all want to strive for and do A lit-tle more, | you're all to get by. ter-min-a = tion you're,ig a ~ un-der the sun wrappedup____ in- to _ one. You're| ng dea! <=: “ oe all, you're all I need you're all I need] tH repeat to fade 2. Like an eagle protects his nest, for you I'll do my best. Stand by you like a tree, and dare anybody to try and move me. Darling in you I found strength where I was torn down. Don't know what's in store, but together we can open any door. 3. dust to do what's good for you, and inspire you a little higher. I know you can make a man out of a soul that did'nt have a goal ‘Cause we, we got the right foundation, and with love and Determination, you're all, you're all I want to strive for; And do a little more all, all the joys under the sun, Wrapped up into one, you're all, you're all I need, You're all Ineed, You're all Ineed To get by All I need to get by.Medium sou! beat I'M IN LOVE ee A 4 Words and Music by BOBBY WOMACK Gt ty oat I'm so gl love, love, — lad’ 1 can tell — love> the world — (© 1967 Pronto Music Inc./Tracebob Music Co. Warner Chappeli Music Ltd., London W1Y 3FA I'm in I'm throughnight long, sure ‘nough in love. T'm__sure ‘nough in love. — (Instr. on #8.) * My friends all won der what's come O- ver me, T feel___just__like a ba - by boy To Coda 6 (Vocal on %.) ete z e* $2 SS Se] = — I'm as happy asa man—— can be Pam in} on a Christ- mas_morn - ing with a) brand new toy. Pm in gy62 E Gtm A 2 6 & ln tat Tmin love, love, love FE IF Di, al Coda Ad lib. to Fade sure “noughin love. — I'm in63 SPANISH HARLEM Baion moderato Words and Music by a JERRY LEIBER & PHIL SPECTOR Spa - nish _ a Fare rose up in Spa - nish © 1960 Progressive Music Pub. Co. Inc. & Trio Music, USA Carlin Music Corp., London NW1 88D= —_ .—— = = SS spe - cial one, it’s: ne = ver seen the black as coal __ that_ look down in my a= iE] J when the moon ison the run and all the stars. are there and then I_lose__con - trol, I ave to beg. your street right up through the con = But soft and sound in PrP BbT 1B I'm going to pick that rose and watch her as she growsROCK STEADY d= 104 Words and Music by Am ARETHA FRANKLIN Rock stea- dy ba-by, that’s what 1 feel now, let's call this song ex-act-ly what it is. © 1971 Springtime Music Inc., USA Carlin Music Corp., London NWt 8DoF Am Step and move your hips— with a feel-ing from side to ta sit yourselfdown in your car_ and take a ride. While you're groovin’ rock steady, stea-dy ba-by, let’s call thissong ex-act-ly what it is. % am, = ==- + = z -=SSS 5 = os It’s so fun-ky and lord, I'm _ feel -ing, swing my hips from left to right.— onl = E ae ab g oon Nt ilAm if What it is ‘cause 1 might_ be do - in’ this fun - ky dance. all night, === Vocals ad lib. Am ie = ———= SSS = HS = Rock stea - dy, rock stea-dy babe, Gat tht SM al tanh oa th Dr stea- dy, — rock stea - dy babe.DS. ad lib. to FadeUNTIL YOU COME BACK TO ME ° (THAT'S WHAT I'M GONNA DO) Words and Music by STEVIE WONDER, MORRIS BROADNAX & Moderate shuffle ( J = 88) CLARENCE PAUL Amaj7 Gmaj7 VERSE cD Though you don’t call a - ny-more, Gmaj7 Amal? 7 guess I'll rap on your door, (your door) © 1967 Jobete Music Co. Inc,/Black Bull Music Inc./Sawandi Music, USA Black Bull Music(Jobete Music Co. Ine., London WC2H O&A,4 cp Gmaj7 — on your win- dow________ pane, _____ (Tap on your win-dow AT Fim7(b5) I want to tell you ba - by, the chan-ges I've been go-ing _through miss-ing you. > 5 BI(b9) Es All To Coda ® Lis-ten you. Tilyou come back to me, that’s what ‘I’m gon - na (2.) Why did youDm? G7 BRIDGE Liv-ing foryou my — dear__ Em7 Hear my plea; — love — is dy ing. (Our love is dy — Dmsi7 i we that’s what Cai? 75 is like a world of con - stant fear... — =S. liv-ing in that our smu I've got to make you see copa t D&. al Coda 3. Al -though your ing.) Till you come back to me,16 Til you come back Gana? All to me, that’s what T'mgon-na rap on (Tap on your VERSE 2: Why did you have to decide You had to set me free? I'm going to swallow my pride, (my pride) And beg you to please see me. (Baby won't you see me?) T'm going to walk by myself Just to prove that my love is true; All for you baby. (To Chorus:) your door, (your door) Dinaj7 na do. 0 tap on your win-dow Repeat ad lib. and Fade pane.) I'm gon - VERSE 3: Although your phone you ignore, Somehow I must, somehow I must, How I must explain, I'm gonna rap on your door, Tap on your window pane. (Tap on your window pane.) I'm gonna camp on your steps Until I get through to you; I’ve got to change your view, baby. (To Chorus:) Printed in England Panda Press - Haverhill" Suffolk © 7/93