Rou Me Away This song always started out full throttle but one time between takes piano player Roy Bittan and drummer Russ Kunkel began play- ing the intro in a far more subtle and subdued ‘manner. Everyone then followed and fll in including me, singing live. Ordinarily, we never have the tape machine recording between takes but producer jimmy lovine and engineer Shelly Yahus had astutely left it on, When we listened back, we loved it and it quickly became the final version. Took a ook down a westound toad, nay | made my chica Headed ou omy big wo-wheel, wasted of my Took a bea onthe norte pains anus raed that power on Toh haus out of Mackinaw Cty stopped ina bar tohave a brew Meta gi and we had afew cinks and Itld her what i decided to do Sie loked ox the window a long long mere then ‘he loked no my eyes ‘She dit have to saya tng, new what she was ‘thine Fol rl me aay, wor youll me away tonight oo am ost fe oute-rossed and m sicko what’ wrong and wats ight Wi never een aid a word, we just waked out and got on hat tike ‘nd wo rales ‘nd we role ean out of sight Wo ale across the ign plains Deop into the mountains Fo 0 good to me Fraly el too Somewnore along a igh oad The ai began totum old ‘Sha sald he missed he hare "headed on alone ‘hod alone un a mouth top sta cut at the reat Divide | eos go eas | cut go west was al up to roto dete Just then saw a young hawk hn! and my out beget tse ‘And prety Soon My tert was sng Rl rllme aay, gona ll me ana trght ota keep oi, gta Kep di, kp search I find wha gn And asthe suse faded | spel the ses fist sarge And | sei ext time Next Time Well gett ight Nicht Moves twas 2:00 am and our guitar player Drew Abbott and sax player Alto Reed fad already left the studio for the drive back to Detroit. With bss player Chris Campbell, drummer Charlie Martin and me, playing acoustic guitar, we recorded it. think we did five takes. The next day we added a local guitar player and piano player and then some female singers from Montréal who happened to be in town. When people ask "Do you know when you've written a Ail?” the usual answer is no, This song was ax exception | eto tall Couldve used afew pounds Tig pans pons hardy rekon She was aback hie beauty with big dark eyes Ad points al her own sting way up igh Way up frm a igh (ut past he cofids where the woods got heavy ‘Out the back seat of my'60 Chewy Werk’ on mysores witout any clues Werk’ o right moves “yr to ake some ont page vein news Workin’ on oe ight owes Inte unmet Inthe sueet sunmertine We werent in ov, oh ofa tom it ‘Wie weren't searchin fo some pin the shy ‘sure We were jst young and rests and bored Lib he sword ‘And wos steal away ovr chanco wo coud Tothe backroom, tthe ally or he busy woods used her, she used me But retherone cared We wore gti’ our share Workin’ on our ight moves Ty ase tha avkardwenage Hues Workin on aur right moves And itwas sunmacine And othe wonder We ot te igtning ‘Ad we wate onthe thunder Wated on the thunder | aoke last ight othe sound of tunder How far ft sl and wondered Stared humming as song rom 1962 Ait tinny how the right moves When you just dot soem to has Stange how he righ moves Wit aun oosing v.35 much loseTuRN THE Pace ‘Our first headline shows ever ina large (twelve ‘thousand seat) hall were the two shows at Cobo Arena, Seplember ath and 5th, 1975. | remem ber while 1 was singing this ow mice it was to fave such good on-stage monitors. | had never fieard my voice so well while performing (On along and lonesome higay eas of Oma You can stent the eng mai’ out his one rte song Yeu can hk abot te wean othe gil you knew therigntbelore But your ous wil soon be waning te way they lays When you're rid siveen haus and tere’ neh ruth oo Ad yu den fol much ke you jut wish the trp was trough Here Am On the road again There lam Upon he stage Here Igo Praia again Trere go Tum he pg Wel you wak nto a restavny, surg out am he road ‘Ad you tate eyes upon you as yout sak fh cold ‘You pretend it coesn' tre you bu you us want toevpode Mest imes you cant harem ek, athe tnes you can ‘Althe sama ad les, thal a woman or ama?” And you aay seer outnumbered, you dont dare rake sana Here tam (heros again There lam Upon te sage Here Lo Pay tar aga Thare go Tum he page (ut therein the spotight youre amion mies aay Every ones ol eneay you try fo give aay As the set pours ut your boy ke the musi that yupley Ltr inthe evening a you be anak bed {Wan te echoes tom te aries rg in you bead ‘Yeu smoke the day ast grt, ember wha she sid Here lam (On he road again There am Up onthe stage Here go Playin star again There 90 Tum he page Herel an (nthe raad agln There lam Upen the sage Herel go Pla’ tar again rete go You'tt AcconP’NY ME ‘This again was one of hose rare times when our ass player Chris, our drummer David Teegarden, and | were alone in the studi, Like Night Moves, | played acoustic guitar and much later we added Bill Payne on feyboards and the female background singers. A gypsy winds ong warm toright “he sys triad ne ie ght ‘And til yout tli mo you have to go Bele you eave there's someting you shouts know ‘Yeah somlting you shoud kncw babe ve seen you sing nthe summer sn ye seen yout og a ying hon yourun Ie made my mind up hat meant tobe Someday lay youl accompy me Some lay youl accomp'y me ‘Outwhere te rvs meet he souning sea Youre high above me now, youte wid and fee ah but Somoday lady youl acampny me Someday lay youl campy me Some poop say tha ie’ @lsit game You sia wth rebut you ase he fare “The ashes solder but the wats soon gone Yu end up oad and tney on your oun 1 ke my chanoes babe Ik ital wn you ove taketh ft va made my ind up i's ant tobe Soma ly youl acampny me Saradey lc youlacompny me Its win down somentere, i otto be ‘ut righ above me ie wid and ee (Oh but sareday lady you axcamry me Someday lady youl accom ny me Someday toy youl acompry me (Out ware theres meet he souding sea Hoeitin ny soul ts meant io be (Oh same lady you' accor me Someday lay oul accompny meHottywoon Nicits The chorus to this song came into my head one night in 1977 as 1 was driving through the Hollywood Hills. Our drunmmer, David Teegarden, played an entire set of drums as we recorded and overdubbed another entire set of drums playing a different pat- tern, In other words, there's two sets af everything snare, fick drum, hi-hat, et. Billy Payne (of Litle Feat) satin with us forthe fist time and played the last wo instruments, piano and organ. When he was done, he asked for @ tape to listen to on the way frome. He called me the next day and said while e'd ‘en listening, he looked down and found himself going 100 miles an hour othe freeway, ‘She tod thre bright asthe sun on hat Cala st He was a midwestom boy on is own ‘She loked at him wh ose sot yes, so inmacant arabe He knew right then he was to far rom home He was to frm home ‘She ook his hand and se ld him along tht goon bach They watched the waves tule ove the sand They crove for mies and mies up tose twisting ‘ung roads Higher and righ and higher they cred And those Holyrood nights In those Hlywoot hls ‘Se was ooking so ght Ine lamonds ana fils Ax tose bg ct nights In hase high rong ils Above alle igs She had al ofthe skis Het headed west ase he fo ht chang wal dim goa See some orien, goo forthe sou She had been bom wih a fce tat woud let her get erway He sw that ae and he st al coil He had st al control Night trig. aya day, went on are on ‘Then came thal moring he woke up eone He spent alight staring down athe fights of LA Winderngit ne could ever go home ‘And hase Hobyned rights Inthose Htyaods ils Its ooking 0 ight itwes ging him cits inthose big ity nights Inttase high ong ils ‘Above al te ights Wiha passion thats Inttase Hlood righis lntrase Holood his ‘She was okng 0 right lo he amends and Is Al those bg cy hts In those high rol ils Above a the lights ‘She ha a lhe ss ‘Stu Tue SAME twas just Chris Campbell, David Teegarden, and ‘me in the studio when we cut this, People have asked me for years who i's about. Is an amalga- ‘mation of characers 1 met whe \ first went to Hollywood. All "Type A" personalities: overachiev- ing, driven ‘You always won, everytime you paced abet Youre sil damn geod, no one's goten to you yet Everytime they were sure they had you caught You were quicker than they thought ‘You'd jst tum your back end walk, You says sa, the cards would never do you wrong Theo you se was never plate ga oo ong A gal’ share, theo rik at you woul take ‘The onl iess you could forsake ‘The only tu you coud ake And youre sil he same caught up wih you yesterday Moving game to game Nore standing in you way Turing onthe obarm Long enough fo gt you by ‘out sl the same Yous aim igh There you stod, everybody watched you pay jus tured and waked away had noting let fo ay ‘Case youre sl he same ‘ute sl the same ong game to game Some ings never change ‘ou stl the sameOo Tine Rock & Rout ‘This track was sent to me by the Muscle Shoals Rythme Section from Alabama as a demo with 4 different singer. | rewrote the verses but ashed for no waiting credit (wish I fad), Next to Patsy Cline's “Crazy”, it's the most popular juke box single ofall ime ust take hos ld records of te shat stand lstn tom by myst Ted's muse an got te same soul ke ats i eck | Dor’ ty oko me to a 00 ‘ul never even get me ou onthe Boor Inton mise ate othe dor ke that die ok ro Sth that od ee oc ro ‘That kd of music just soothes he soul [reminisce about he day fol Wat hat od ie oc Won't go ote them play tango 1 amer hear some tues or funky od sou ‘Thar’ nly one sure way to get ma ogo ‘Start playing ld te ecko Cal me a rele, cal me wha ou wl Say olashioned say mover to hil “day's musica go the same soul ke hat od tere rock Sil ike hat ld ine rook rt “Tha ind of masicut soos the sou | reminisce about te days Wt atl te ok ol We've Gor TowicHT ‘The original tite of the song was “This Old House"and it was about rock and roll music. 1 loved the chords and rewrate the lyric after t saw Robert Redford in "The Sting” say fo a waitress "Ws four in the morning aed | don't fenow nobody.” know it ae, know youre woary am your plans doit incu me ‘tl here wea, bth fu only Longing or shor tom al hat we see ‘Why should we wary noone wit care git Look tthe tas 0 fray Wi'vegot nih, who needs tomorrow? We've got tonight babe Wi dont you stay? ‘Deep in my sou, ve been so only ‘Nol my hopes, ing aay Ne longed fro, he everyone ee does kro Hoop searching, even ater oy So heres gt, ve sid ital 20u And here we ae babe, wha do you sy? Weve go tongs, who needs tomorow? Weve got tonight babe Why dont you stay? now it ate, know yute weary ano your lan dont ined me Sl here wo ae both fu lonely Bot of us aay We've got night, wo needs oer? Lets ake as fd way Tum ut the ht come ake my hand row Wo got tonght babe iy dont you say? Wy dont you ay? Matthew & Craig Fres ror 1076 ca Pain co ASC4P) ‘Acatnst THE WIND My old friend, Glen Frey of the Eagles, had ax idea that our guitarist Drew Abbott should play ‘along with the piano solo. He and then went cout and did the background vocals together. The line "Wish | didn’t know now what | didn’t know then’ Bothered me for the longest time but everyone | few loved it so lef iin, It has since appeared in several hts by other artists, so guess it's O.K. Itscems te yesterday Butitwas ong 290 slaney was vey, she was ho queen of my nights ‘Thor in the danas wi he ato paying low ‘And the soto that we shared “Tha mountains tht we moved Cau ike awit out of cont Tithore wasnt let totum and ntig eo prove And omer wha she sat me How she shore tha never woud ena [remember tow se held me oh so ght Wish it ow nom wha in know then gaat the wed We wore ui’ agains the wind We wore young and tong, we wer uni against he wind ‘Ad the years role slowly past ‘nd our myselalone ‘Surrounded by rangers hough were ny ends oud sel ure and further tom my hare ‘And ques Lot my way ‘There were oh so many roads 1s ing to run and runing toe Never wore about paying or ven how much | ved ‘Moving eght is amin or monn a a tie ‘Breaking al of us that wuld Bend "began fo find myso searching Searching rst agen and againCan Against te wind ‘Nile sorting against he wind Hound mysel seeking set agin the wind Wel hose citer dys are past me now Fe gt so much moet tink bout Deacines and conenments Watt ose in, what lave cut Against te wind Tm sl uci’ against he wind Tm oder ow tut stl unin’ agains te wind Wel mole now and si run Against te wins coor 00 Gas Ping Oo ABCAP Mainstreet Many people have ashed me what street I'm talling about in this song. I's acually Ann Street, just off Main Strect in Ann Arbor, Michigan, where | grew up and went to schoo. ‘There was a pool fall (I can’t remember the name) where they had girls dancing in the win- dow and REB bands playing on the weekends. |remomber standing on he come at mihight Trying to get my courage up There was isang lowly dance in ite ‘up downtown owed 0 wath ae do har tt Though th ong only nights sho filed my sleep Her toy sty saying to that smaky beat ‘Down on Mainteet Inthe poo halls, the hustlers ar the losers | use to watch em tough tbe gas Wel stand cus at sing tine Justo wath er walk on past Unt ate oer ais shocked so yourg and eet ‘As she made he way alone down that empty tet ‘Down on Maintet ‘And sometimes een no, when Im elng ely ‘and beat | eit back tine and fed my fst Down on Maint Donn on Maintet ‘Tue Fine InsiDe 1 rewrote this song so many times, {can't remember the original lyric, Oddly, for me, | Fept rewriting the first verse. U've never done that Before ar since ‘There’ a hard moon son he sets eight ‘Thar’ arches engin your heart as you head out tonight “Terough he canrete canyons tthe iow ights ‘Where he ates non promises are bring bright asthe open windows o he darter stoets Whar unseen angry vies fash ard chien cy Past he phony pooes wih her wor out ines “Tha red new mney essed the rnes ‘Tha lowe desers wt hei badcesions ‘and ne tants wi th open minds You outen the town, sein he crowed Ready to go othe ride Searching the ee, lon for Cues ‘hace’ no way you can ride Tho fre nde Wel youve ben othe cubs andthe dsctheques Whee they deal one anche om he bot of 2 ck promises Wher the cauos les and emotional wrecks Do an acting sate as away to hide the obvious ‘And th igh go down and hy daca real cose And one bi rtart ey pretond theyre sake and warm Thon he beat gts loud and the mood is gone The darkness scars asthe lis fash on They hol ne ater ust a itl too ong ‘And they ro apart ard then move on (Onto the street, ono tenet Sle inthe knowledge ta hey tad Feng the sme, hing the pn Never satis There sie Fre nse Now the hours ate ah hinks yout aslo You Ite ohm cess ard you steno hi leave the you fnew ne wous ‘You eas is car lana inthe seat ‘Tan you nave fo the dor an youlock it when he's gone lr good ‘Than you walk othe window and tare athe moon ici high and lnesome trough a sari sky ‘nd itcaes to you how a sips away Youth and beauty are gone one day No ator what you cream oral say Thera in aust na saray Lice wn on tha plains sand rough he less Wares ling in wi te io Drea de hard ara we wae hem erode But we caro be dies The Fre ndeLine A Rock My fondest memory of this recording i of David Cole and listening (0 Rich Vito play the slide ‘guitar solo late one night at Rumbo Studios in LA. It was the single most spectacular overdub 1d ever fear. Sood thee bly Seat inthe san Fetike amon Fel ike umber one The height of sunees nave tat tong ke a rock was eigtteon Dict havea care Woking fox paauts Nota dine to spare But was lean and Sold everyatare Uke a ook Myhands were steady My oyes were clear ard bright My wale had purpose My steps were quick and ight ‘nd he ly Towhat | as ight Luke arcs Lk a rock, Iwas stong as could be Uk a rock, rin eer gto me Uke a rock, | as someting to s00 Uke a rock ‘And stood arow stalght ‘Unecumbered by he weg (fal hese rusrs and he thor schemes | stood proud | sid tall High above a Is bere in creams Twenty yeas now Where's they go? Tent years | seit nom | sitar | wonder samatres ‘Where they gone And sometimes ate a ight ‘When im bated inte fright ‘The moon comes clin aghosly white Ad | ecall Vocal Uke ook, sani aw aight ke a ook, hati the gt ke a ook, cari the weight Uke a ook Luka a rock, the un upon my skin Uke a ros, hard agains the wind Luka a roo, be myst agin Uke a ror est La VIE We had a Tot of fun doing this old Chuck Berry nugget. Entirely live, No overdubs. Ihwas a teenage weng andthe ol fos wished ‘om nll Yeu cold se that Pred rly lov the mederislle Ard nw the young monseur and adam have rung the tape bel Cat esa he od os, goes to stow you ever can They fished ofan apertent wit a wo-0om Foetuck ste ‘The colerator as jammed wih TV ners and cong ale And whan Pie fund work, the Ite money comin wort out wal Cest ve say he old os, goes to show you ever can ol ‘They had ai phon, boy did they tit bias Seven hurd Ite record, al Hues, rk tim and az But when the sun wont dan, the vol weet down steal Cesta vie say he ald as, goes to show you raver can a Thay bought a soupedn ny, was a chony 0d 58 And do it ono New Orleans fo eeebale thee aniversary Iwas there whore Plo was wed tothe lovely rracempsele (Cesta i ay theo os, goes to show you never can tl ‘They had a eonage woking and the od oes wished ‘em wo ‘You cause that Perec trl he madomosele ‘And nom the young ensiour ard madam have rung the chapel bel Cesta i ay theo os, it goes to show you reer canIn Your Time ‘A new song written for my son Cole In your time The inocence wi fl away Inyour tie The mission ball wil Alorg The coridrs and rer beds Ther be sigh Inyou time Towering waves Wil crash across your southern capes Massive storms Wil reach you easter shores Feds of ren Wil ute trough your summer cays by oesign In your time Feel te wind nd sat youset the bolder couse Keap yourhesrt As open asa shine You sal te port ine ‘nd attra ‘Tha dead ends andthe lessons learned ‘tera Tha stars have tuned o stone ‘hac be peace ‘Across th great unbroken vod A benign Inyour time You be fre Inyour tine cx s00 0ROLL ME AWAY ye-misyert Words and Music by Moderately bright BOB SEGER Dic c 0 oo FIC c, .. 7 Took a look down a \© 1982, 1985 GEAR PUBLISHING CO. ‘Ail Rights Reserved5 & 3 Lo Fic Fa HEE ae west-bound road... Right @ - way I mademy choice... f Pt PL PF : iH Hf HE i Head-ed out to my big'two - wheel - er. I wastired of my— own voice. Took a bead on thenorth-em plains and just rolled. og 2500 — that pow-er on.¢ Dm7/C a a a 0 Tage, RUT OUT of Mack- I= nay Cit y.— stopped in 8, ba to have, Stood a-lone on a moun - tain sar in’, keep sq FIC re 8B ae nat / HER fa sick of what's wrong and what's right. We never ¢ = ven search in’, till 1 find what's right. And as the sun- set com r ff fr $F HEE fe | To Coin sid a word. We just walked out and got on that bike. fad - ed, I spoke tothe faint = est first star~ light.FIC G FIC Go a7 We = rolled- a-cross the high Some- where a-long a high + deep— in- to the moun = Felt so good to the air be-gan to tum She said _she missed her rr Em F LG, fl ie, j fi n'lly feel - in’ free. 1 head = ed on a-fe ae DS {al CodaG Coda 000 ofE And 1 said next time, ° 2 3 z 3 Er 2 # #. is 57 NIGHT MOVES JR-mosyere Moderately, Words and Music by 5. e ra BOB SEGER Se ee at - 5 f ¥ = == hard-ly re- known.— Tight pants, points, —3— (© 1976 GEAR PUBLISHING CO. “All Rights Reserved18 and points all her own,— —sit-tin’ way _up_ high, — 35 way up firm and high. Out past the com - fields, where the woods got ee ‘out in the backseat of my — Six-ty Chev-y, workin’ on mys-t'ries with «19 _ ee _ a workin’ on our try'n’ to. make some front page, drivein news. — Prac-tie - in’ our in the summer - 3in the sweet — summer time, sum -mer - time. 3 _ He be SSS ett We were-n’'t in love. oh, 3 —. SS Se ea a We weren't search-in’ for some _pie-in-the-sky summit. were just young and restless and bored, —to the back room, 1 al-ley, or the trust = y woods. — 3 ther one cared, — ‘We were get- tin’ our share,22 a ¢ & 8 2 tuy'a’ to lose the awkward, teen-age workin’ on our 35 3 3 Tt was just like south-erm Mich -i- gan sum -mertime, poHey, we felt the light -ning. 3wait-ed on the — thun - der, ____ wondered, Stared humming a song fromanineteen _six- ty two. —Ain't it fun-ny how the night moves? as much to Em, © cmaj7 =O ‘Tempo T Repeat (lead vocal ad lib) and fade 25 Night moves. Night moves,26 TURN THE PAGE aemsyers Words and Music by Moderately BOB SEGER On a long and lone some high- way_______ east of O - ma- ha. - gine moan- in! note song, * Copyright © 1973 by GEAR PUBLISHING CO. ‘hig arrangement Copyight © 1977 by GEAR PUBLISHING CO. International Copyright Secured Made in USA. "AI Rights Reserved2 be = a- bout the wom-an or the girl you knew the night But your thoughts will soon be wan- der ~ in!___ the they al - ways do__when you're rid- in’ six - teen hours, noth-in' much.to do don't feel much like rid-in', you Just wish the trip_was through,28 En, 4 Chorus He Say, here the page.—29 D.S. al Coda 2, Well,you Verse 2: Well, you walk into a restaurant strung out from the road ‘And you feel the eyes upon you as you're shakin’ off the cold; ‘You pretend it doesn't bother you but you just want to explode. Most times you can't hear ‘em talk, other times you can, All the same old cliches, "Is that a woman or a man?" And you always seem out numbered, you don't dare make a stand, Chorus: Verse 3: Out there in the spot light you're a million miles away. Every ounce of energy you try to give away As the sweat pours out your body like the music that you play. Later in the evening as you lie awake in bed With the echos of the amplifiers ringing in your head, You smoke the day's last cigarette remembering what she said,YOU'LL ACCOMP’NY ME JR-m5 Fert Words and Music by BOB SEGER Moderately A gyp - sy wind is blow - ing Some peo - ple say that love's a A E EEE HEE) —— — The sky is. star - it, andthe. time is_—right, — You start with fi_-_re, but you — lose. —the_— flame. — ee (© 1979, 1980 GEAR PUBLISHING Co. ‘All Rights Reserved31 ‘And still you're tell = ing me you have ‘The ash - es smoul-der, but warmth's ey tall FE teed fee Be- fore you leave there's some-thing you should know. — You end “up cold and lone-ly on your own, I've seen you smil- ing in the I've seen your long hair fly -ing I'll take my chanc- es, babe.I'Il I'll win your love or I'llI've made my mind up that I've made my mind up, girl meant to Some-day, le - dy, you'll ac - com pny me,— Some-day, la - dy,you'll ac - com- p'ny me. — Some-day, la-dy, you'll ac - com- p'ny me— out where the riv- ers meet the Some-day, la-dy, you'll ac - com- p'ny me. It's writ - ten down some-where.[t's Some-day, la—dy, you'll ac - com- p'ny_me— out where the riv-ers meet the You're high me now. You're You're high me, fly - ing 1 feel my" soul,_ it'sbert SSS SSS z some-day, a - dy, you'll ac - some-day, la - dy; you'll ac - some-day, la - dy, you'll ac - - com-plny me, — Someday, la-dy, you'll ac dy, you'll ac dy,you'll ac - 2 D.S.Hal Codad Ase EHOLLYWOOD NIGHTS ub-miszert Moderately bright Rock beat Words and Music by Foo Ale, BOB SEGER ope i 3 3 3 fff She stood there, bright as the sun, on that Cal - i - for - nia coast. He'd head - ed west ‘cause he felt’ that a change would do__ him good. sit oF" © 1978 GEAR PUBLISHING CO. ‘All Rights vedHe was a — mid-west-ern boy on his See some old friends, good for the 3 —s— rms3— She looked at She had been him with those soft eyes, so inno - cent_ and blue, born with a face that would let her get her way, —3— FT 3 He knew right then he was too far from home. He saw that face and he lost all con - trol. m3 ps — 3She took his hand and she led him a - long that gold - en beach. Night af - ter night and day af - ter day it’ went on and on, ms3—_— 3 Hy SSS aa 3 — t + —- ae SS =F ‘They watched the waves tum-ble o-ver the sand. ‘Then came that morn-ing he woke up a - lone, —3— = SseThey drove for He spent all —3— 2 night and star-ing down at 37 miles__up those the twist - ing, lights turn - ing roads. of L. A. High - er and won ~ der - ing high - er 3 and high- er if he could ev - er 3 they climbed, go home, — And those Hol- And those Hol- nights nights in those Hol in those Hol ly-wood = ly-wood hills: hills:38 she was in her dia- it was Ie was giv- monds and frills. Oh, those big cit- y_ nights ing him chills, Oh) those big cit- y_nights— ie = — roll-ing hills, roll-ing hills, — ~ et i = J bove all the lights, she had all of her skills. bove all the lights with ‘a pas ~ sion that kills. Is — Gi ge Ie39 Repeat and fadeSTILL THE SAME Re muszers Words and Music by BOB SEGER Moderately, with a beat c oho EEE ev - ‘ty time you placed a the cards wouldnev-er do you wrong. — al - ways said — Instrumental (© 197, 1978 GEAR PUBLISHING CO. ‘All Rights Reservede they were sure they had you on - ly risk that you would ev -'ry~ bod-y watched you You're still damn The trick, you a good; said, — was aw” i no one's got-ten to you — yet, nev-er play the game too long. — Ev - ‘ry time __ A gam - bler's share; the There you — stoos EERE the you were quick - er than they thought. _ ‘on-ly loss you could for- sake, T just turned and walked a - way.42 Dm 9 To code You'd just turn your back and on - ly bluff you could-n't I had noth-ing left to ‘And you're still the same, Mov-in' game to game;_. no one stand=in' in yourEg 43 Turn-in' on the charm — long e-nough to get you by.- You're still the same. You still aim Coda D.S.8al Codag ry And you're still Repeat and fade So Fie Soo Hy And you're still the Mov -in' game to game. Some things nev - er change. ‘And you're still the same, —— Repeat and fadeMAINSTREET Le-misyers Words and Music by BOB SEGER Moderately se e én Fe standing on the cor-ner at mid - night, Ios -ers, 1 re-mem-ber pool hall, the hus-tlers and the sc En D oe ty try'n’ to get_ my cour = age up. we used to watch ‘em through the glass. © 1976, 1977 GEAR PUBLISHING CO. ‘All Rights Reserved‘There was this Well, Vd danc-er in a fit-de club side at clos i I loved to watch her do her stuff. just. to watch her walk on past. —3i—i fe e —3— filled my sleep, she looked so young and — sweet —3i— long, lone - ly nights, all the oth-er ladies, her bod-y soft-ly —sway--in’ to that as she made her way 2 - lone— down that smok-y beat, cemp--ty street,‘And some times e - ven when I'm feelin’ lone- ly and beat, drift back in and I find my feetut49 OLD TIME ROCK & ROLL al-misyert Words and Music by GEORGE JACKSON and THOMAS EARL JONES Moderate Rock 'n' Roll beat No chord Just take those old rec -ords the shelf, __ lis - ten to ‘em - gO. hear some blues or my - self, — To - day's mu = sic ain't ky old "soul, ‘There's on - ly one sure way to (Copyright © 1977 by MUSCLE SHOALS SOUND PUBLISHING CO,, INC. (BM!) tntermatonal Copyright Secured Made nUS.A "All Rights Reserved. Used by Permissiongot the same soul. I like that old - time— get me to go: start play-ing old - time— You'll nev -er e - ven get Say I'm old - fash- ioned. Say min - utes I'll be mu - sic ain't__S1 like that old - time— rock ‘n' like that old - time rock ‘n’ roll. That kind of mu-sic just soothes my soul._. nisce a-bout the Won't go to hear ‘em play a52 WE’VE GOT TONIGHT uh-misyerr Words and Music by BOB SEGER 1 know it's late. _ 1 know you're wea . 1 know your plans — T've been so lone : All of my hopes— don't in- clude me. Still, here we are,— fad-ing a - way. T've’ longed for love — —3— (© 1976, 1985 GEAR PUBLISHING CO ‘All Rights Reservedboth of us lone like ev -'ry - one else —— dh long-ing for shel - ter for all thatwe see, 1 know I'll keep search - ing e-ven af -ter to - day. = Why should we wor - ry? No one will care, girl, So there it is, girl, Te said it all Look at the stars—— so far a - way, And here we are, babe. What do you say? —<—S —2 Emaj7 £6 ae aa a = = el == a = = We've got to - night. —— Who needs to - mor= —. 6 ee ee = SS e Bot Emaj7 4 a rn alll Deep in my soul — 1 know it's late, I know you're wea - ry.35 Et I know your plans don't in - clude Sd . : : le im both of us one = We've got to-night. nor - row? Let's make it last, _56 Emaj? £6 8 Ft : ,_ en Sp bee [ete +e z = = = © = Let's find a way, Turn out the light, — —,3— eH #255 Emaj7 £6 Come take my hand now, Ts - Why don't you Kos ° 7. Emaj7 6 B/FA FRFIF———i=B EB ie fi fii Be why don't you stay!ST AGAINST THE WIND wR misyer Medium Rock beat Words and Music by G BOB SEGER lah seems like ye And the years rolled slo Instrumental it was long And T found = my - aa (© 1980 GEAR PUBLISHING CO. "All Rights Reserved58 © 6 1509, 7 EH gia SS ee = = 6 SS ja neywas lovely. She was the queen of my nights, fir-round-ed by strangers I thoughtwere my. felends. eine =a (ot ne fe there in the dark - ness with the ra - di-o play-in’ low, — and i found my = self fur'~ ther and fur ~ ther from my home. and — co - erets that we eharedy T guess T lost my way. the mountains that we moved, —_ ‘There were oh so man-y roads, —caught liv 539 like a wild in’ to run fire out and run - nin’ of con to trol live, ull there was Nev - er noth~ in" wor-ried left to burn — ‘and noth-in' left 10 prove. e ~ ven how much 1 owed. — a- bout pay-in', 1 re Mov - in* Well, those mem - ber eight miles drift - er's what she ___ said min-ute for months at days are past to me = - = me, how she swore that it nev. ~~ er would time, — break - all of the rules that_ would now, — I've got 0 much more to think a ~ +Em is re - mem-ber how she be - gan Se held meh s0 wo find my = self dead -lines— and com - =. — == Wish 1 did= n't know now did - n't know search-in’ for what What 1 shel - ter again and a ~ to leave in, what to leave SS : A-gainst the A-gainst. the A-gainst the we were runnin" a - gainst — lit - tle some-thin' a - gainsi I'm still run -nin' a - gainst— We were wind. I I'mae young and strong. my - self —~ seek - in’ - er now, —— but still bse acgainst. the ay62 Fast Rock Ab THE FIRE INSIDE shemiszert Words and Music by BOB SEGER Dbmaj? hate if {© 1988, 1991 GEAR PUBLISHING COMPANY (ASCAP) Ani Rights Reserved moon tis - in’ on the to the clubs and the Tate is and he63 Dhmaj7 i ses to + nigh thers a reck - ess fecling_in your Wear as you head P Gis - co 2 ehoues, Whee ty alton an) - he ftm’be! “ost-nm “ofa de "af winks” ure a‘siesy” "Yor" Gissten co"him dese “tnd yeu. scien” ohm fave te you ele Se \ out to - night Frew 7 he ” woul T ‘Through the con - crete can yons to the mid - town lights, where the Where the cau - tious lon- ets and e - mo - tion-al wrecks do. an You hear his car pull a - way in the street, then you© = pen _win-dows on the dark - er streets, where un - seen. an - gry voic- lights go. down and they dance ——real_close, and for one brief in’ stant they_ | walk tthe win- dow and stare at the moon rid = ing high and Tone: —pi dpi & es flash. and chil-dren cry. — pre- tend— theyre safe and warn some through. a star- lit sky. Past the phon - pos ers with their ‘Then the beat gets-—loud-er andthe And it comes “to you how it65 Dhmaj7 pe the tired new money dressed tothe the mood pone, the dark - ness scatters asthe lights flash They all slips a~ way, youth and beauty are gone one No low - life deal-ers with their bad de - signs and the di- et-tantes__——_with their hold one an- other just a it~ tle too long and they move a - part and. mat- ter what you dream or feel or say, it ends in dust and. Eb Fe © = pen minds. Youre out onthe. town, safe inthe crowd, then move on, On to the street, on tthe next, wind on the plains, sand through the grass, rad - y to go for the tide. Search - ing the eyes, safe in the know-ledge that they tried. Fak - ing the smile, waves ol-ling in with the tide. Dreams die__ hard’ and weB bp = SS SS 4—| o = + = ¥ Took - ing forciues, there's no. way you. cam. hide Tid - ing. the pain, mv ek ist fed watch” them ‘e-fode but we ean - not be de-_ed s a Well, you've Fire In -67 Ab Dhmaj? (Piano solo-ad li.) Repeat and fade ‘Ab [Uastiime DS. $6 ai Coda @ o Te68 LIKE A ROCK SR-nnsger Words and Music by Ballad B SEGER dees DbjAb Ab DbiAb Al Db/Ab A at ae 4 fan” 4 fan” Sj te Tek Best ¢ wi ou Db/Ab Ab Db/ab ae" Ga" Gee fae” Ga 1. Stood there bold - ly, in’ in the sun. Q Felt like a felt like num-ber one.— \ je {© 1985, 1986 GEAR PUBLISHING CO. (ASCAP) ‘All Rights ReservedGh (add2) Db. 69 | ‘The height of sum-mer, Td nev-er felt that strong, — like a | rock 1 was igh -teen, Work -in’ for pea - nuts,70 Db Al Db/Ab Ab DbIAb Rm qa Re te. sol-id ev-"ry - where, like a rock. Fe Al Aft 3.My hands were stead - y, My eyes were clear and bright. : FTE iF My walk had pur~pose, my steps were quick and light, é Gb(add2) Db 8 aa ro Cote to what I felt was right, eestrong as T__ could be;____ like. a rock, noth- in? Gb(aad2) EEnR Em hus - tlers and their schemes; __ Fr (et ring)Ab Db GbiDb a a" 8 Db Gb(add2) Db Ab Bbm/Ab a aa ; Priore F hab [Ab (terring) =St«‘C AbiDb a } aan ina) at. te Repeat and fade bGb(add2) yy iif : D in’ from the gate hard a = gainst the wind aR “pn 2nd time 10 guitar solo 4. Twenty years now; Where'd they go? ‘Twenty years; T don’t know. 1 sit and I wonder sometimes Where they've gone. 5. And sometimes late at night, When I’m bathed in the firelight, ‘The moon comes callin’ a ghostly white, ‘And I recall.15 C’EST LA VIE JR mis yert Moderate rock J= 120 (JJ=1 3) Words and Music by Verses ft, 6 CHUCK BERRY = s ~~ 15. Ik was a teen-age wed ~~ ding and the old folks wished them well. off an a- pat - mentwith a two - room Roe - buck’s sale, hi - fi pho-no oy, did they let it blast. souped up Jit - ney that was a cher-ry red fif’ - ty - three You could see____ that. Pi - err. did tu The cool-er - a@- tor was jammed_ with T. V. Sev-en hun - dred lit- te re-cords "all They drove it downto New Or - — leans,cel-¢ - =, HT i? = ly Tove the ma-de-moi- selle. ‘And now the din-ners and Gin = ger ~al ‘And when Pi - Blues, Rock, —Rhy-thm and Jazz, But when the brate their an-ni- ver = sa -ty. It was © 1964 (Reread 1952) ARG MUSIC CORPORATION ail Rights Reserved "Used by Porniselen76 young. Mon-sieur_ and Ma-dame_— have rung the cha - pel bell. __ erre—— found work, the lit le. mon-ey com-ing worked out well. sun went down, the vol - umewent — down as well. there where Pi - erre_ was wed-ded_ to the love-ly ma - de-moi- sell “Crest la vie." say the old__._ folks, goes to show you nev-er can 2.They furn-ished — tell 3.They had a 4. They bought a7 Be DSB. G fi feB IN YOUR TIME wR-enisyert Words and Music by Moderate march J= 114 BOB SEGER G cD c Gg coc iH EE FE HER fEER PER Verses 1-4: D S time, the in- no - cence. will fall___a - way. waves will crash a - cross your south - em capes. 3. Instrumental solos. all the deadends andthe les - sons learned, D Em if EE af the mis-sion —bells_ will toll. all a= long__ will reach your east - em shores._ Fields of green the stars have tuned. to stone.— There'll be peace — (© 1994 GEAR PUBLISHING CO. (ASCAP) “all Rights Reservedthe cor-ri = dors and _riv- er - beds, —_ will tum-ble through your sum-mer days, by de - —_ a - crossthe great. un - bro-ken void. All be - + Last time 19 Coda © 7 “ é e ¢ fe OB Ha Be fele in your. time, 2.Tow'r-ing in your. 4. AL = ter in your. ‘end solos) G DFE Em GD and set your - self the bold80 G DIFk Em GD a Et £ = ercourse. Keep your heart shrine. — DS.Sal Coda GiB. G ¢ iE Hy i fe Lo sail the per-fect line. © Coda You'll be fine