tolove you more All My Life KG & Jalo Angel ‘Sarah McLachlan: Angel Of Mine Monica The Boy Is Mine Brandy & Monica Doo Wop (That Thing) Lauryn Hill The First Night Monica Wie | From This Moment On : ‘Shania Wai (God Must Have Spent) ALittle More Time On You NSyne Heartbreak Hotel Whitney Houston | Don't Want To Wait Paula Cole m4 El 55 7 Lullaby Shawn Madlins 110 My Father's Eyes Eric Gapton 116 My Heart Will Go On (Love Theme From ‘Titanic’) Celine Dion 12 Nobody's Supposed To Be Here Deborah Cox 128 Slide ‘Goo Goo Dolls 136 Something About The Way You Look Tonight Biton John 12 Take Me There Bladetreet & Mya 148 Thank U Alanis Morissette 93 To Love You More Celine Dion: 154 Torn Natalie Imbruglia 162 Tubthumping Chumbawamba 172 Uninvited Alanis Morissette 168 You're Still The One Shania Twain Something About “The Way You Look Tonight atoALL MY LIFE ‘Music by JOEL HAILEY and RORY BENNETT Slowly, somewhat freely cue Gausd/B Faustic i nf With pedal Ebsus2/G 3 CousQiE— Bbsys2/D CmgjTladdl3) AmTiadds) Gi iy Ba-by, ba-by, ba-by, ba-by, ba-by, baby, Slowly, steadily Dm ¢ Gp ¢ orp Eg i a & Ei baby, baby, baby, baby, babe. (Vocal 1st time only) Original key: Db major. This edition has been transposed down one half-step to be more playable. nestor COND KAYLA ME Coma ed ana by A MSIE NC "Rfucrenmeed arstona Cpynghsecned acl PernstonAm? will nev Fadd2) & sweeter than you. sweet «er than ce. er find an oth = erAm7 F Gsus ES _f a more pre-cious than you, more pre-cious than you. op Am? Fadd2) = B close to me, you're like my moth-er, close to me, you're like my father, close to me, ¥ relike my. sis- tes, Gsus Am? Pladd2) = & i close tome, you're like my brother. You are the on ly one, You're my ev Dm? Gg Dm c ry thingGp cl B Am 1 prayed for some - one like Dm c op Em? thank ENG Am? F Am prayed for some - oneG Am GiB Am the same way Am G Am GiB that Pim think c Am? Gus T Said you'reGsus cB. cle a & = =< = 1 prom-ise to nev-er fall in love with @ strang Fladd2) Gsus Am7 & You're all I'm think-ing of. 1 praise the Lord a - bove for send-ing me your love a roe L 7Bm795 E Am ACE You tured er know, When you smile on my You picked _ me was Dm Bm7bS > Ie ACE You're all that 1 ev - er know, When you smile life is glow. oo ‘You picked me up when 1 was down. Say'n you're" Bm7b5 E Am life is glow. You picked me up when Twas down. And When you oI Am G Am GIB i a a iho =2 Am? Dm & Ey RF prayed for some-one like Gp 7 Emy AmT bn Cc af j ly found — you. [Repeat ana Fae oe ep Aa es |G prayed for some - one ©; Br Am? F Am G Am GiBB ANGEL OF MINE Words and Music by TRAVON POTTS afd RHETT LAWRENCE Easy R & B Ballad G69 A Goo A Bm = # & = Go Bm AICS D DFEGngi7 & : G69 A Bm Goo When 1 first saw you 7 there was some-thing A Bm G69 A Bm some-thing I thought that 1 would Original key: Db major. Ths edition has been transposed up one half-step to be more playable ‘A ight tow anes a ror insane oy Pl Sn ernst ra PhS“ ACAD DFRGmai7 coo A Bm = iB is — an = gel_ of mi T Took at you look-ing at_me,—— Nothin’ means more 1o me than what we share When I first saw you 1 al-read-y knew — Now I knowwhy they say the best things are fre, I'm gonna love you. Boy. you No one in this wholeworldcan ev - er com - pare. Last night the way you moved is there was some-thing in = side of you, some-thing Thought that T- would - ‘ToCola Bm AIC# (D D/FE Gmaj7 Em? z a He {> are so fine, How you changed my world you'll sill on my mind Whatyou mean 10 me you'll new -er find, Fe? PETES cs & tf a a oe nev = er know: Tm dif-trent now. You helped me grow. nev = er know. Deep in - side T need 10 showGeo Bm G69 cs 5 & a S55 came in = 10 my iife sent from a = bove, — When I lost all. hope, you > Bm G69 A Bm H OF & showed me love, — rm check-in’ for you. Boy. you're right on T nev-er knew I could feel Asus Al, FavAg FAT Bm i" # ti — each mo as if they were new,6 Gigs cms Ft Bm? Ach D = = . B Jove that we make, 1 on= ly share it with you, Ges FR PS arco COVA Se You came into my life you, you, you, sent from a — bove. When 1 lost all hope, you showed me love, uh huh. eS Gon & ACE D DIFE og? 5 E & BE j # FU _— I'm check-in’ for you. Boy, you're right on time, an = gel of mine. —Em? Fay FATES Gmaj7 a How you changed my world you'll nev - er know. Pm dif-frent now, — x yo c G69 Bm hhelped me grow. ____________ I. took at_you look-ing at Geo A Bm Geo E Ey = ee Now, I know why they say the best things are free, Check-in’ for you. Boy, you're - I Bm D DFE Gmgj7 right on time, —_ an = gel of mine: ANGEL Words and Music by SARAH McLACHLAN Gently Feadd9yc c c % Pm Fladd9ve wait - ing siraight line, would make for a break that tnd thieves — there's vul — tures “_# for that sec-ond chance, and ev = "ty-where you turn Fuus2ia Dm? ‘There's aT ——__ opr © 27 Sanya sage 1c ae Tye use sum sonny paiva hog a a te, 172019 F sus? c {feel not. good =e -nough, and i's hard atthe end Keep on build - ing the lies that you make up forall Faus2/a, G Dm? of the day, some dis that you lack make no = = beau ti - ful re = eae es - cap. ing one last time. Fousd/A G Dm20 TH find that brings Am? or c co <_? to = night my knees —_a c Am or Tess - ness that’ you fear, —_ Gisus c the F Bus F2 c Am? cs To Coda 6 some com = for c FIC c Frade DS. al Coda You're so tired F Baus You're in the arms2 ar Grsus c Fraddvc c Fiadd9yc c Fradd9yic cFy THE BOY IS MINE ‘Words end Music by Les!IAWN DANIELS, JAPHE TEJEDA, RODNEY JERKINS, FRED JERKINS and BRANDY NORWOOD Moderately fast Fem Bub sees cesseeeeeesees a ce oe eee + loco Brandy: Excuse me, can I please talk to you for a minute? Monica: Uh huh, sure. You know, Ctm9 ah you look kind of familiar. Brandy: Yeah, you do too. But, um, just wanted to know, do you know Soney ets ouch, Fa ch ons Eton MIC CORSORATION, DAN PAN MS _nvnats fr Ashaun antes PROB cTioN an el MUS contol od maureray sha SiC "igh tor Rooney sens PROTONS Cle and Ramey EIN HACRWOOD US MCF¥m9 ean 4, somebody named... You know his name. Monica: Oh, yeah, definitely. 1 know his name. camo a Brandy: Well, just want to let you know that he's mine. : camo You need to give it up: Fvehad about e - novgh, Tm sor-ry that you Monica: Heh, no wo, He's mine, 3s 7 Ws not hard to seem 10 be con26 C#m oF SS 7 = i. min {Think it's time we got this straight: we'll sit and talk face to face. Must you do the things. you do? Youkeep on act - ing like— a fool. € chmo = a oe ~ ‘There is no way you could mis - take him for— your man, Are you in Youneed to know it's me, — not you, and if you did-n't know it, gir, it's Yousee, 1 know that you_ may be just a bit jeal - ous of me T think that you should re = al. ize and try tun - der ~ stand whya ceo ~ —— Bur—you're blind if you can't see that__ his love is all in me ae oe Cee oe T know i's kill - ing you in - side.- See, 1 tried to hes = i - tate; did-n't want to say what he — told me, You can say what you wan - ma say, what. we— have — you can't take. — he said without me he could = n't make itthrough the day, Ain't that ashame? = From the truth you can't es - cape. — T cam tell the re - al from. the fake. aos, “__ But may-be you mis un = der = stood “eau When_will you get the — pie el can't sce how he could You're.the —past__ and 'm fu - ture. —e3 ToCoda —— want to tell you some-thing that’s so good, — for my— love is all it took. — Get away, it's my time _ to shine If you didn’t know, the boy is mine._ ‘The boy is CODA FEm9 DS. al Coda ‘ces You need 10 give it You need 10 give il oa Tye had a bout © ~ nough. It's not hard 10 see; F¥m9 ce#mo Le 5 rine. seem 1 be con = fuse He be-longsthe boy ceo = you sim - ply can’t, 1 won't. al - low. You might. as well throw in When I'm the one that brought. him — tc 2 You need 10 give it 7 mine with outa ‘The boy is doubt. place that’s in my heart?30 He was my lov- er fromthe stat The boy is ‘mine. -Youneed 10 give it chm & Ws not hard (0 see mine. Tm sor = ry camo B —F you seem fo be con - fused, He _be-longs to me; the boy Fem9 You need to give it me.u FROM THIS MOMENT ON Words and Music by SHANIA TWAIN and RJ, LANGE Free tempo G Female 7 (Spoken:) Ido swear (Siang) tat rial ~ ways be Fd give an-y-- thing (Spoken:) and everything, (Sung:) and 1 will al - ways care d ron) Em? Through weak-ness and. strength, hap-pi-ness and sor - row, apy 1997 Soge of Peyram nations noun Ethan and Ou Of Poca Prodi ancien othe hte arsed anon cnc re US nd Cae32 DIF DG G (Spoken:) for beter, for worse, Twill love you (Sung:) with ev = ‘ry beat of- my heart From this Slowly Ctada2) cy = Mate mo - ment From this mo - ment —F Female: Both: you are the one. Right be side is where 1 * Male vocals sung an octave higher throughout.3B os ¥ from this mo - ment {addy - 7 Female: Cfada2) Both love Td give, my last Ceada2y EE = Female: 1 this mo - ment 1 have been blessed.. Mate your hap - pi ‘And for your. Bo breath, smo = ment give my hand. 10 you with all —34 DFE a to live my life with you, can't wait 10 Cada) Em? s Y as Both You and 1 willlnev - er bea My dreams came true ¥ 7 Cradd2) G Gp Female: From this Aada2) E D a ee ca Both ‘mo- ment as long as love you,8 2 ——= prom. ise you this, Bm Deada2) A Fim? from this mo-ment on. Dad?) > Female: You're the ea - son 1 be-lieve- in Es you're the an my prayers — from36 — e the wo of D Fm? Diada>)37 love you, 1 promise you this. There is noth-ing I would-n't give, 7 B Cem Fe Eladd2) Female: Mate: ———* Female from this mo-ment. 1 will love — you, 1 will love you as B ctm FE Female.DOO WOP (That Thing) ‘Written by LAURYN HILL Moderately ‘Am you know you bet - ter watch out. some guys — that thing, that thing, Gm AmE Gud ‘hing, —____ a thing, that _— thing, nights cient ing We ase Mie, 3720339 Bb Am Gm = a" Bb Am Gm Bb Am Gm nd CY me me R = ‘Yeah, yeah, A <= Ne? Yeah, yeah Yeah, yeah-— 7 Gm? am : E = Yeah, yeah. Rap 1,2 (See additional tyries) AmBb Am GmtiD Am Gm Re ee fr" Am Gm Bb Am Gm? Re = Come a Bb Am Gm Bb Am Gm Bb Am Gm a oe" ee a ei When, when, Yo. yo. My _ friend,a ToCota my n J = Bbmaj? Am? Gm? ll — Yeah, yeah. Guys, you know you bet - ter watch out, —_ Some Am Gm Am some girls are on - ly — thing, that DS. al Coda Gm Am Gm GmyBb Am Gm/D = Le ee Et ee — thing, that _— that thing copa Am Gm o, # gz Watch out, watch out,Watch out, watch out, — Look out, look out. — Watch out, wateh out Gm Am = Ez Look out, look out Watch out, watch out, — Look out, look out, — Am Gm Am ar you know you bet = watch out. — Some guys, some guys areon = ly a Gm Am Gm fa cl thing, that thing, that___— thing,[Repeat and Fade Optional Ending Gm GeyBb Am el ie mR thing, that thing, that Additional Lyrics Rap1: I's been three weeks since you've been lookin’ for your friend, ‘The one you let hit it and never called you again. “Member when he told you he was “bout the Benjamins. You act like you ain't hea him, thea give ‘ema litle trim, ‘To Begin, how you think you really gon” pretend’? Like you wasn't down, then you called him again Plus when, you give it up so easy you ain't even footin” him. I you did it then, then you probably fuck again, Talkin’ out your neck Sayin’ you're a Christian, ‘A Muslim sleepin’ wit” the gin Now that was the sin that did Jezabel in Who you gon’ rll when repereussion spin? ‘Showin’ off your ass “cause you're thinkin’ it's a trend jrfriend, let me break itcown for you again. You know Fonly say it cause I'm teuly genuine. Don't be a hard rock when you really & gem. Baby girl respect is just the minimum, Niggas ficked up and you still defendin’ ‘er, Now, Lauryn is only human, Don’t think [haven't been through the same predicament, Let it sit inside your head like a million in Phlly Penn, 1's silly when girls sell their souls because it's in, Look at where you bein, Haar weaves like Europeans, fake nails done by Koreans. Rap2: The second verse is dedicated to the men ‘More concerned wit his rims and his timbs than his women. Him and his men come in the cub like hooligans. Don’t care who they defend, popping Yang like you got yen, Ler's not pretend, ‘They wanna pack pistol by they waist men, Cristal by the case men, still they in they mother's basement. The pretty face men claimin’ that they did a bid men, Need to take care of their three and four kids, men, ‘They facia’ court ease when the child supports late, Money takin’, heart breakin. Now you wonder why women bate men, ‘And the sneaky, silent men, the punk domestic violence men, ‘The quick 1 shoot the semen stop actin’ like boys and be men, How you gon’ win when you aint right within? (3x's) ‘Ub-h, come agai,THE FIRST NIGHT ‘Words and Music by TAMARA SAVAGE, JERMAINE DUPRI. Slowl MARILYN McLEOD and PAMELA SAWYER lowly Dm Ba- by, ba- by, tll me what's up? Can_you hear me? A do bore om : fee need to tum top, uh friwe| en kt Boy, thie oe uh? SG . —— — eat ae ee | F ving, was kon = tyme feel- in’ com-plete -— down to be 0 in’) watch = in’ your” TV. 1 felt it was com ~ inv the clos er that you got 10 > Original key: Eb minor. Ths edition has been transposed down one halfstep o be more playable. Wocal written one octave higher than sung.@ a pen, down to be 0 pen for some sat - is - fae tion? Didn't wan-na say yes, me, Wanted 10 touch you want-ed 10 kiss you and some-how in one G BbIC Dm a= pray your T knew it was wrong for feelin’ this way, — night discov er T Felt so righ but it fet so. wrong. BbIC fat es - pe-cially the thought of giv. in’ in on the first date Could-n't tet g0,— And look how you're carry - in’ on, uy-in” 10 say — - — it stayed on my mind. At the end of the night Thad to de cide, things to” get-me to stay, but my watch tells i's gettin’ too Mate.1 should make a move, T know you'te G bic Dm Dy thinkin’ some-thin’ is knowin’ if BbIC Dm G 5 |. should make move [know you're pro. b'ly think in’ some-thin’ is,a BbIC Dm zi g do that it won't G Dm Dm but not the firstAsus A Bbmaj7 c 1 should make a move, but T won't 1. know you're pro-b'ly thinkin’ some-thin’ is Lead vocal-ad lib49 BbIC Dm ee 8 do that it won't be eet SG BbIC Dm down on the first I should make a move, but 1 won't 1 know you're Bbc Dm & al a pro-b'y think-in’ some-thin’ is wrong, know-in’ if 1 do that itwon't be right. I wan-na get down, but not the first ae down, but not the first(God Must Have Spent) A LITTLE MORE TIME ON YOU Words and Music by CARL STURKEN ‘and EVAN ROGERS Gently, with motion Bb b F Gm7 Bb Eb Eo az & Ei mr Bb Eb F Bb Fad?) Can this be tue? Tell_ me, all of cre - a- tion, all things Dm Eb(add2) — a can this, be real? How can put in = 0 — words— great and small, you are the one that sur ~ pass MER Musi Pubishingst Bb Fladd2) Dm & i & —— how 1 feel? My life was com - plete, — T thought Twas whole. - cesthem all, More pre-cious than an y diamond or pearl, Eb(add2) Bb ba Why do 1 feel like Tm los = ing con - trol? they broke the mold when you came — inthis world = KE Bb R" = 1,3. thought that love could feel —_———— and you 2 uy - in’ hard to fig aoeeeeeee just Eb(add2) Bb & & changed my world with just fone kiss how T ev. er did with — out32 badd?) Db rt eS = oo ee ee o eS How can it be that. right herewith» me___ there's an warmuh “of your smile, The.—sheat— of, a child that's deep) in — = — * ¥ = = eb = : = = oe = * ve = Edad) Buus } Bb Eb Ws a mir-a-cle leaves me pur - i - fied. Your love is like a river, is se + cret that 1 F Bb Eb g S : Rr nev - er could keep. When I look in. t your eyes I53 & a F Gm Ab Ebmaj7 Kknove that it's true, God must have spent a Tit tle more time Little more time. 2a F Bb Bb Eb(add2) F Gm? fei] biz ie] & @ FE" to Coda 4 Bb Eb(add2) Bb Bb Eb(add2) ® ©n you, on you, on you, — — On you, on you, on you, —F Gat Bb Eb(add2) ® & oe a By DS. al Coda - GRE take 2nd ending) ‘©n you, on you, on you, Ab Gm? Ebmaj7 F mm & & Ey copa = God must have spent — ait tle more time Eb(add2) sus : & & _ & Eb(add2) Fos F Fus Fo Bb Little more time tempo55 HEARTBREAK HOTEL Words and Music by TAMARA SAVAGE, CARSTEN SCHACK and KENNETH KARLIN Relaxed R&B groove Em? Am? NC This is the Hear-break Ho = tel This is the Hear-break ac tT Em? Heart ~ break Heart ~ break Original Key: Eb minor. This edition has been transposed up ome half-step to be more playable See NT Mnohatel bemboacergn ied iayreaeeAm? Am7 you'd be by nine — you've been in’ wrong, you took your time, You did - n't think to call PN and made a fool of me, Here 1 a You got eal37 ak ing my that you were cheat ing Em? AmT = ? — aay, —_—___ you do this t_____ me, min me, How could you do itt me? Fam7bs 7 _" & Since you're not around for me to tell you, ba Em? Fem7bs writing you this let ~ ter58 By Ctada2) En? Ant ly wanted was some of your time. In-stead, you told me lies when some-one else was Em? S 7 your mind. What you do to me, what Look what you aid AmT Em 1 thought that_you were some-one who would59 Amt SSS What you do dome right un til you played with mye - mo-tions and you made me cry Am7 Em? 7 Can't take what you did tome, Heart - beeak Ho tel. This isthe al60 Em? Gy Heart - break Gia Em? Et All 1 real - ly wanted was some Lead vocal - ad ti Am? Bl In-stead, you told me lies when some-one else was on your mind. What you doSe a Look what you did tome. En ig 1 thought that you were some-one who would do me right__ un - til you gaz En a i played with my © - mo-tions and you made me ery. What you dot me, Optional ending Am? Em? EB Repeat and Fade ‘Can't take what you did to me.| DON’T WANT TO WAIT words and music by PAULA COLE Strong Gsus2vF Gaya © - pen up your, mom = ing light Gus Gouge GausF Geys2E say a lit = de prayer for Youknow that if we are to stay a = five, then Gqus2/b Gwaic Grada2y a & see the peace in evcy Giade2) She had wo ba = He showed up all fone was six months, one — was three in the war. of | foraty ~ four. — fon the rain yfroni step wwear-ing shrapnel in his skin, Gtade2y oe Ev'ry tel phone ring ev ‘ry heart beat And the war he saw lives— in side — himEm? thought hard call - ing We and Ctada9) her Grau) grow 10 and now — he DeaddayFt T don’t want to wait right know his fa - ther? thas — grand -daugh- ters, Dsus for our lives Geade9yB @ Dsus/a, what will it be?6 Geaae2) Dewar Emil Dsus i i T don't want 10 wait for our tives — 6 GeaddoyiB, Dsus/A Geade2y be yes, coo Dsus Grade) 0 you look at me from a -erossSSS SS SSS aS ae Bb(add2) aus Ceadu9) & ca a sme, 1 know the feel - ing; it sucks you in-to the jaws of an = ger. be GTadad) so breathe a lit-tle more deeply, my love, Am9b 13 Bb(add2) g this ver=y- mo — ment, — and Tdon’t want to do what his. fa-ther and his. father andoa ous Gsus2 his fath-er did T want to be here now, Gsus27F Gaus2re Ggus2D Gauge up— your mom - ing light it = Ue prayer for 1, You know that GsusaiF Gaus Gus Ggus2ic are to stay a - live then see the peace — in Giadd2) DeaddsyFH Emil Dsus i i” e T don't want to wait for our lives __co GraddoyB DsuslA Dyus Geadd2) Diadgayrt Fc} FR eR a be = > to know. right now, what will it be? — 1 don’t want to wait for our lives Giadd2) du du ducy 2 Gays Gus2ve wp your mor — ning Gus Ssus2iC GusvF Gays EE ee = tle prayer. for 1. Youknow that if we are live, then Gus Gaus71e° I'LL BE Words and Music by EDWIN McCAIN Gently cs Fausd 7 i" EY ‘The strands and steal my breath a+ Wake in my bed. FIA ic F And em - ‘raids from moun - tains thrust towards the sky, — And you're omy sur - viv - al, you're my liv ~ ing proof, Original key: B Major. This edition has been transposed up one half-step to be more playable,n on veal - ing their depth, live and mot dead, — FIA ¢ Gp. FA be = long op FIA the trap-pings of \n op c op Bl 5 your — lips in - stead of ___ the gal - lows FIA Geaaas) gE ee hhang from a ~ bove, c Am? FE c op Feagd2yia 6 5 zter when I'm cs op Faus2/a, EE m DS. al Coda copa Am7 roped outg Fadd9) FE Fiadd9) fought my way back from the dead, fumed on, re - mem bered— the thing that you Grades) c =z & your ery = in’ shoul75 op FIA Gaus Bo Instrumental solo ~ ad ib Repeat and Fade! the great ct fm oof life.% IRIS from the Motion Picture CITY OF ANGELS Words and Music by JOHN RZEZNIK With a steady pulse Bm Bm9 3 a” give up for - ev to touch — = could taste is this mo = tight the tears ain't com - Sa ‘cause [__ know___ that you feel __ me some ment, a ec oe . os the mo. ment of tth_——in—your — how. You're the clos ett heav = en eat lie, And soon = er or dat i's 0 | lies. When ev = ry - thing slike the mov = ‘A Rights Contos an minted by Et VIRIM SONGS, IN aus Rese nertoal Copy secre. Permionhome ‘you you're right wo - a i 2 = 'e @ want the think thatn Agaads) B = = thing's — nao a To Coda @7 Bm Bn DS. Coda Ss (ake Deen) And you can't copaBm Bm7 Bm ho al Gg Gmait Brads) Boil 5 aR Bradt) Gg ng? = 8 EeBmyadds) Bm9 BmBm Atadas) G5 Bm “ apdon't think that they'd thing's Bm add)Vocal Ist time only bn yg &- Sepa a]JUMPER Moderately c E you would step back Fmaj7 c You could with all the lies Words and Music by STEPHAN JENKINS G Eg from that ledge, my _ friend. G that you've — been liv-ing SRS SE Ea csFini? un = der = a un = der Am auf The an = gry boy, Well, he’s on ret pain, y-one knows what they're a c E a bit too in ~ sane: ics ing 0 - ver ~ ble and he’s gone 10 code, and 1 do. not_think - You know you don't __ do -Am c E e You're the first to fight You're way too loud. You'rethe flash of light ona ‘And your friends have left— you, you've been —dis-missed. 1 nev-er thought it would a shroud. know some thing's wrong. come 10 this. And 1 want you to know Diadds) = : Well, ev - ry - one I know has got a ea ev = “ty-one'sgot_ to face down the de . | xe meatcnn fo say, put the past a-way. May - be to - day you could put the past away, Ea1 c = 5 4 step back from that ledge, my friend. ¥ a g — FT wish you would —— my friend, And T would un - der2 1 would G Fanaj7 c 1 would Vocal Ist rime only ¢ Fp ¢ 6 a viny Sines Sh Ee &TO LOVE YOU MORE ‘Words and Music by JUNIOR MILES. ‘and DAVID FOSTER Slowly, half-time feel A E & E Fem back in = 10 the Tike you did be - fore.there was you — know you'll as it you TTT FFE E Fim95 D ED AIC} Ami op @ 5 oo she walks lieve a will make Guy Dm a 2 Ess eB a> = ——— and you know Us ceed ing ioe pal all the things — that your heart needs. 10 know. Fim side — my heart.D a one who wanls_ to Ew E A Fam thing — 4.2) | You will (DS) | Can't you Te" you need. — 1 ge E Fa can give __ you7 & = om Il the Tove__ that we Dm Bsus = we'll find A BIA Gt EGDr cle, oD ce FA BG fe t> Am Gm = will make you see all the things that — your heart. Bsus > DS. al Coda reeds to knowctm D AE100 oe LULLABY Words and Music by ‘SHAWN MULLINS Gmaj7/D op eer Pl Ctada9) Gmaj7D Gs Diadus) eae gg ‘. 1 (Spoken:) She grew up with the children of the 2 Her parents threw big parties. 3 Asshe feels safe nove in this 4 ‘And just before she hangs her head GB Chade9) Gmaj7D Gs a + i” in the Hollywood Everyone was there They hung out with folks bar on Fairfax And from the roery, Tsing t0 El hills and the boulevard. like Dennis Hopper and Bob Seger and stage I can tell that she can’t et go and she can't her a lullaby tse auxcewace MuSCINC s0¢ROADEODEE HUSK NC sr gn coved an srrmtsea by i RACRHD Mo Anis terval Cop Sees Used by Permision101 Cada) Gs Diadeld) Sonny and Cher. a Ctadd9) for) Coda) Gmnaj7iD| i z Diadss) Ctadd9) ar Ev - er - y - thing's gon mabe all right. Rock 2 = bye, — Gs Diedds) Ctada9) GmajiD g* ‘ear TahDeadas) ie C¢add9) ese AT{add4) clad) et To Coda Ciadd9) mee Gmaj7D Er s Dead) on Er ee a L.(Spoten:) She it Ives with her mom ouside the city 2 And al her frends ell ter She's 0 prey, = 5 * vg z — ———: sa — =103 Cfadas) Gmaj7/D G5 Deadus) hs Ee ud down that street about a halfa mile but she'd be a whole lor prewier GB Chadds) Gs ished once ina we “Case ener Gmaj7/D GB Ctada) Er ca like a frown. Gs Gmaj7/D GB Crade9) ea Ele ‘ase Oooo. She's seen her share of devils in this angel town,108 copa Gs e Ne Ee" GB Caddo) Gs GmajzD Fa a a ee GB Cada) AT(adad) beef ah C¢adu9) Alfagd) = =105 Ctadds) Deadds) Gmnaj7/D Gs Ta ware ao a op. Ceadd9) Gs. Deadals) hey te pe as. Ceadd9) Gmaj7D Gs te Er it 1. (Spoken:) old her Lain't so 2 ‘Seems like Dfadas) org Ctadd9) Gmaj7/D Gs we a er sure about this place. Wshard 10 eversbody's got a plan. I's kind of tke106 Diedds) lay @ gig inthis town ‘and keep a straight face. Nashville with a tan, Diada er thing's Cladd9) Gs eae ee DiadasiB Asus a se107 Gs Daadds) Ciadu9) ig “u" i st Attadd) Ceadu9) a Gmaj7/D os Deadals) ae ti ee Ciada9) G108 Deadas) Chadu9) Gmaj7/D Deadas) Ciaaa9) 7 eet ANfadas) Caddo) z Crada) “ —_fade) Alfadd) es)10 MY FATHER’S EYES Words and Music by ERIC CLAPTON Moderately Cm Amaj? a = & f A @ qo E A, FamT B Chm Amaj7 FémT B E Fem? >m cim Amaj7 Fm? B ae Dt oe B E Sail ing down Then the light ‘Thea the jag the sun, ‘waiting for my prince.to come, to shine Tear those an cient Wa ap-pears through the dis - tant clouds of Gtm caret DF om ® fs Pray - ing — forthe heal - ing rain fo re. store, And as I watch this seed - ling grow, feel _my heart start And mike a bridge that was washed a - way, My_foun - dations1m Fem? B @ Chm = soul a gain Just a toe rag on the — run 0 ver = flow. Where do I find the words to say? mace of clay. — ‘And as my soul slides downto die, E A Fim? Bo Gin? Chm Ami? Eg EI & & & & i — ; How did 1 get here? What have 1 done? When will all — my How do I teach him? What do we play? Bit by_ bit how could I lose hin? What did 1 try? Bit by bit A Fem? Bo Gtm = @ Ff = & a oF hhopes— 3 rise? How will 1 know him when 1 look in — Td e-al- ize that’s when T need them that’s when T need { my fath - er’s eyes, Td re-al ize that he was here with me. looked in -t0 ry father's eyes. (Look in y ers eyes)113 Fem? When 1 look That's when 1 er’seyes, T. looked in my fath-er's eyes (Lookin - to__ my fath en's eyes A c bert AE Ez & = 7 FA Ga E keFém7 B Gm? = Ctm7 Amaj7 \ “ 7, # ! i — = = = = SS === SSS 3 = @ @ « a & # ee | pier a. Saeed . My 7 v _ fathers eyes |. 5 = 7 = 3 BASS eS SS eSFam7 B i by en's eyes). \ ns E A Fam? B My fath-cr's eyes. looked in = to my fath cim Amaj? ers eyes. (Looked in = to s Fim? my fat Fem? B E A & & ft i My fath-er's eyes. ers eyes) Looked in (Opt ending Fam? B & FEE repeat and Fad16 MY HEART WILL GO ON (Love Theme from ‘Titanic’) from the Paramount and Twentieth Century Fox Motion Picture TITANIC Music by JAMES HORNER Lyric by WILL JENNINGS Moderately cam7 a a Bsus Bo Ctm7 Baus a Se i 7 SS SSS ——— ia tr = = z = cca ie Er ee aS feel you, that ishow 1 know you fo on, ‘ : ee =< 3 - - ears a 3 SSS a -.Lrw™s™”S—r———CTENSs = = ee ‘Ait Right forte ky Rider Songs Adminatered by ng ain.Ww B Asus? Se E & accross the dis tance and spac - you have come to show you e Cm Badd) you are, B cfm Biadd9) A the heart does8 pen the door — e ee = - heart will ‘ToCoda Baus Bo Cémt Buus a ae me19 EB B E B a a = we're gone, Agus? Ei @ Love waswhen [loved you; EB cre rm my life we'll DS. al CodaA Baus Bo Ctm7 & a ER Chat Gera Fm Eb ‘ ite" gz BR" heart will Ebsus, Eb Fm Eb a ke g Eaa Db Eb Fm cmt B ce g ae" ev er this way. You are safe in my heart, and my Db AbED Eb Ab Eb/Ab ‘al ‘ 2 = Ab(add9) B" =‘NOBODY'S SUPPOSED TO BE HERE Words and Music by MONTELL JORDAN and ANTHONY “SHEP” CRAWFORD Slowly Emit Emi Ebmit Domo C749 cc & i & a as Pye Fmil Emit Ebmit yes Lal Ez i Dbmaj7 Bbm7 No-bod-y'ss‘posed tbe here, Bain? m7 Fn? Fn? = HE xc EE NC Wied that love thing forthe se Sete a hea eto omacome ee esearch1 bmi] Ab7— Domaj7 F7sus Bbm? E fm & & bay No-bod-y's s'posed tobe Bm m7 Fe mm E E but you came a - long and changed Fo Bbmo Dbmai7/eb x Ive spent all == my ife oot oi This time, 1 swear, 'm— through, — if on-ly you knew Dbmaj7iG Abmaj7 = the — love will stay for @ - wren - yy how man = y —times— ve said those words2 Fro Bbm9 a heav = en sent to ful - fill my needs, But when 1 tum fall a gain. When will 1 ev - er lear? Know-ing these tears Dbieb DosusziG a gain love hay knocked this love - ly black but Abmajd Fo aS > ~—_ got bro = ken, Ob, it hurts so bad. sd say love — ‘a chance” and_spread my wings. Love can make you do some FF Fbm9 Ab7 Dbmaj7 m7 lace my. hea under lock and key zy things. — be = a ee25 Bbmil m7 s" er (ake some time and take care of —-me,___ Bb? Ebm9 2 Db(add2vEb DE Dmaj7 Ere No = no - bod y, shoo bee doo, no-bod-y’s s’posed to126 Amaj? Bmo No- bod Fim? Emo Emo yee mai? chore B a m ® i ee ~ get here? No- bod-y’s s'posed t0 Lead vocal-ad lib Bm? m7 cam Ee fail oe twied that love thing for the last time,27 F4m9 ¢ Em? A7$S— Dmai7 Cam7rt BP nc = No-bod-y's s'posed to Bm cm cant but you Repeat and Fade Fam7 Emo fe ‘Optional ending Fem? Emo Ay Dmaj B 8 B a”8 SLIDE Words and Music by JOHN RZEZNIK Moderate Rock Fm7 Ebsus Dbsusd Abs EbG & Ee & a Ee of Fm? Bbsus Could you whis - per in__ my car the things you wan = na feel? Don't you love the ‘fife you killed? ‘The priest is on the phone, Dbsus2 = _ TH give ya’ an~y ~ thing to feel it com in = Your fath-er hit the wall. Your_ma dis - owned you Fm? Ebsus B 5 Do you wakeup on your own — and won - der where you are? Don't sup - pose ll ev = er know What it means to be a man, Anish essed nena Copyegh secre. PonDbsus2 i" You live with something. 1 all your Db(add9) @ wan-na wakeup where you are faults. change. — TH live a = round. it Dbjadé9) 1 won't say Dbsus2/Eb cca Dbsus2 i Ab So, why don’t. you 129130 ToCodal Ebsus Eb Ebsus2 Eb _Ebsus we're gon-na let it side. Dbsus2 Ab Dbsus? Ab Dbsus2 Ab Ebsus eb Ebsus2 copat Ebsus? Eb Ebsus2 Eb Ebsus DS.al Coda o i ‘ E PS131 Dbsus2 Ab Dbsus2 fe ee & thing you ev ex dreamed 10 be — com-plete. Dbsus2 Ab Ebsus _E er _ ai Lit-tle pic - of the noth - Eb Ebsus2 —EbS_ Ebsus. Eb Ebsus Em? EE i Eb Ebsus Dbsus2 put your arms a- round me. What youAbIC Dbsus2. Eb Fa? il ci i ba — and what you are Eb Ebsus Dbsus2 ER EE Ee wan-na_get 7 or run a way? ToCodat ) O : & Dbsus2 Ab Dbsus2 AbBbsus a Ebsus?BbS Ebsus? Eb Bbsus Eb Ec Ee Ez BB copa Pa DSS. al Coda It 00 zr 1 wan-na wake up where you are, Db(add9)Dbsus2 Ab Dbsus2 AD i ci coe ca thing you : — com - plew, Dbsus2 Ab Ebsus Eb a & Est fe Lit-tle pee of the noth that fall Ebsus2 BbS Eb Ebsus =e = #8 Dbsu al Dbsus Aba5 Dbsus Ab Ebsus Why don’t. you Fm? Ebsus. Dbsus2 Ab EbIG Em? Ebsus Ab136 SOMETHING ABOUT THE WAY YOU LOOK TONIGHT Slowly Words and Musi by TON JOHN Bb FA Gm F Cc FC Cc and BERNIE TAUPIN: ee ee F gf x nf F 1 was how you light up. pull the CS Original Key: F-sharp major. This editi37 Gm? a 1 was feel ing like you just shine like Tm speech - less and but there's some-thing a - bout —18 D7 & look 10 = night, takes my breath a = — Gm Gmt me ee Ws that feeling 1a8 AT a ‘but there's some-thing a ~ bout — night, —DS. al Coda With that copa © Bor BoE F the way you the way you Ab Bb F Ab Bb FE the way you lookmt | the way you 7 —— the way you Ab Bb F Ab Bb F = i = = & the way you ook 40 night. oo F p = 4 S = ae SSS Ets a the way you look — to ~ night, —____ the way you _ __ 4 = es eas E SSS = SSS a 7. + — Abb F _ _e e . = [Sse Zz ov — tok ye _ é —— : re == S| Se r a 3 Pe : = =az TAKE ME THERE Words and Music by TEDDY RILEY, TAMARA SAVAGE, MASON BETHA, MICHAEL FOSTER, MADELINE NELSON and MARK MOTHERSBAUGH Moderately ee == =e =! =| R : Vocat 2nd time only ; : SSS SS SS of z — = 5 : ks SS eS SS B= 7 Be Dm? G c Am ze ER & I — SS SS SS SS SS ee Se Take me there. 1 wanna go there Take me there = + : SSS. = eo nyt: © 1998 Tne cleo ne, US Mus Coportn MYou Baim know where, Just take (Male:) Let’s make a Fenaj7 NC Ex{no3rd) Am place with won - ders Dm? G c & 6 & and 143 wish Twan-na go. there E7(no3ed) Am place with Gpsus =" (Female:)Sit-tin’ here think-in’ “bout yes = er - day, — wish lose your eyes. and count to five ToCodaus Baim EX(nognd) Am Hl & El ae = a - bout what we did and how we used to Yeause you know that ev “ty thing will be—— al Fanaj7 G9sus Am Just the thought of you brings a smile up-on my T see the mag - ic in your bs BT(addi3) s = EI — —— It’s how it makes me feel to see you ev-e-ry day. Whoa. Is strong e - nough, you know, to bring your dreams «0 ‘life. on. a g Am (Female} —— —us So, come on and Abmaj7/Bb E745 ole Se where smiles come to fe and_— dreams come true. —_ Ooh. (Male:) Don't want this dream to ev ergo146 Rap (See additional lyrics) (Rap continues) --—— & we ¢ there (first time onty) Take me there 1 wan-na go there, Lead vocal ad lib Am Baim 7, that great place withCo won = ders and wan-na go You know where, Just take me Am Am and won - ders and Additional Lyrics Rap: Angelica the one with all exposure Dilis the one they drop in the stroller. And Tommy got the whole world on his shoulder, “Cause Dil cried to sleep tll his eyes looked beat ‘And I couldn't have been Chucky, Chucky too petro. Chucky gets seared. Chucky said, “Let’s go.” IF Twas a Rugrat, it would have been so real Me and my twin would have been just like Phil and Lil And with one wish, blink, grant you one tip. ‘Where we goin’ tis adventure? Who you wanna come with? See, you're my litle brother that I'll come get, run wit Burt it got to be done quick ‘Though Chucky is scared and Tommy is sad ‘Ang Phil and Lil misses their mommy and dad, So pick a time and date and finda place, ‘And I guarantee you that we all get home safe.13 THANK U Words by ALANIS MORISSETTE ‘Music by ALANIS MORISSETTE and GLEN BALLARD Rhythmically in ie Geada2) = With pedal our Cmajn03nd) How "bout get - ting of these an 2 Gladar) Gur Cmajino3nd) fa How “bout stop- ping Gear) our FF ing when I'm ‘© copy 198 by MCA MUSK PUBL, Oson of UNVERSL STUDIO, NC. 174 MU an AEROSTATION CORPORATION ite tes ra arsed ca we in a URES OBO MCA Music DolshingCimaj7ino3rd) Sig GausF How “bout them tans How "bout how good pa ent it feels 10 c “Ye 3rd) How "bout that ev cr How "bout griev ing din gl fin - “lly for Glada2) give you. al one us sive ku a = z= : == — CF Se Poe = 84 Tack.yom nea Thnk you, er a 7 = ¥ SS oes UF 5 Ls S45 3 i Thank you, dis Geade2) Gaur i ment, — ‘Thank you, frail -150 ome rd) GsusvF Gade2) se-quence, Cmaj7g03rd) Gs How "bout _me s2F Thank Gladd2) you, — thank To.Coda ine omg 3rd) How "bout me en» ey - : a = = ‘ ‘ — = = = Ss wed Gras) Gus DS. al Coda ing the mo = ment forcopa Gut @ 11 Ciaj7ino3rd) - ‘The mo ~ ment I was the mo G(add2) Gsus2/F Cmaj7ino3rd) = ment 1 got more than 1 Geaad2y GsusQrF ——— so ment 1 touched down. — Cmajziqo3rd) Gtaau2y How “bout152 Gsus2iF omg How "bout re - member ~ ing your di Graae2) GsusF Cmaj(no3rd) = aS How "bout un = a bash - our ly bawl - ing your eyes out - Cmajzin03rd Geaau2) How “bout note - quat - ing deathaed G 2 oe Thank-you, In - dia Thank you, prov - idence. ‘Thank you, dis 2 Gadd? Gsys2rF Cmajino3e) Thank you, noth ~ ing ness. Thank you, clar — y+ ¥ you, —— thank Cmaj7ino3ea) G(ags2) sus cs. | Repeat and Fade| Ho Vocal ad lib14 TORN Words and Music by PHIL THORNALLEY, "ANNE PREVIN and SCOTT CUTLER Moderate Rock FS Fuus a g F Clu r—~—wr—.—_._._CiCiINC‘OCCwWsiCNis=sC¥zaiC’CSC wat, you | “Satin he — fae oe comme cu etna eeepc eer nee ee dee ae eerie,155 Bb? he came a - round or seem to care what your heat is fr just what was there and not some holy Tight, — He showed me what it Well, 1 don't know him But you crawled be - neath my 23 Dm ‘Th&e's noth - ing 1 don't ver = sa has un don't miss all that156 what's go. ing on, Noth - just) Soman = y things that 1 © g ca Tm — all out of faith,thing Dm To Coda () 137 You're. DS. al Coda (Take 2nd ending)158 copa Dm c Bb(add2) There's nothing where. he used tlie, My in - spi-ra - tion159 what's going on. right, Pm Tm — all out of faith, Dm oe I = 1 feel. Pm cold and | J aaa ly ing bound andnev ser changed — lie tle ate Dm Bb is tom al - ead-y2 R eS. 161 Guitar solo ~ adi Repeat and Fade | Opt. ending Bb BbIC F182 TUBTHUMPING Words and Music by NIGEL HUNTER, BRUCE DUNCAN, ALICE NUTTER, LOUISE WATTS, PAUL GRECO, DARREN HAMER, ALLEN WHALLEY and JUDITH ABBOTT % ° , % & 'B ig es Well be singing when we're win ning, Well be singing You're nev ~ 8 a & HH = er gon-na keep me down, set knocked down, but T getup s-ptin e163 bur 1 ger up again. You're new — er gon-ne keep me down, ef gon-na keep me down, I get knocked down, but 1 getup amin. = er gon-na keep me down168 whisky drik, he drinks a vod- ka drink, be drinks 8 lag-er drink, he drinks a cid- er drink He sings the songs that re-mind him of the good times, he sings che songs that re-mind him of the bet-ter times. nes door neigh =165 & & i but I get up a-gtin. You're nev - er gon-na keep me down. I get knocked up spin, You're nev - er gone keep T get knocked 1 get up again. You're nev = er gon-na keep meup a= again. You're gonna keep me down, up © ai, er gon-na keep me down, set knocked but I get up a-gsin. You're nev - er gon-na keep me down. = ai repeat and fade but 1 get up acai . fer gonna keep me down. get knocked168 v YOU'RE STILL THE ONE Se nwa og b of — a —ré“—~—O—~C = Zz ee 4 ve Se 5 eigaen 2 at 5 has ee eS ee ort a = Sj D DIFF 7 Ba “i & a ' a 7 eri 5 S —— Ss SS ar sas EE 5 == = aos tt169 b pyre ¢ A a iS gE iB EG Ae ob = Looks like we made it Look how far we've come, my ba - by. Ain't noth = in’ bet ter, we beat the odds to-geth_ - er. or D iF & BE Eb EbIG Ab - 7 We might-a took the lon Tm glad we did - n't lis We knew — we'd get there some - day. Look at what we would. be miss - ing — But just us We're still to geth =170 7 (You're still the one.). — You're stil the one 1 runt, the one that Tbe - long. cy 7 You're sill the one (You're sill the one). D Em A Eb Bb — You're still the one that the on-ly one 1m 7 ‘To Coda me Bb You're still the one 1 kiss ood night. A D & A a « P & i 8 @ ee i Ab Be tb hight, — You're still. the one DS. al Coda (You're still the one.). Tm so glad we made — it Look how far we've come, my ba = by.= UNINVITED from the Motion Picture CITY OF ANGELS Words and Music by ALANIS MORISSETTE an = y= one would ba D e & fam flat - tered by your fas - ci-ma ~ tion with me. oh ~ : any bot - blood - ed wo : ——— have simp ly “a oghts Comrie an nse WR CORPORATION OF AERA MCA Mose Pblshingwanted fan ob ~ ject i b you're un in fo watch the sto to - % 1 mot m you're not al - lowed: slight strangely ex - cit fan-y un-chart-ed ter ic squirm. seem great inarigy — ing.a some ~ what heart ~ en to watch shepherd speak of my dove you have ek per 2 ———. a = Thep jenced love like mine slight slightoe ge »,1076 don't think you un-wor I need a mo ment 0 de-lib-er Guitar solo ad ti so