Table of Contents

Contents: Artur Blaim: «Nowhere Plans for Nobody»: Constructing Utopia in Popular Music – Barbara Klonowska: Coming through Dystopia: Marjane Satrapi’s Persepolis – Andrzej Sławomir Kowalczyk: «Reduce, Reuse, Recycle!» The BBC Children’s Animation Bob the Builder, Project: Build It as an Ecotopia – Katarzyna Pisarska: Science, Power and Utopia in the Appleseed Universe – Marta Komsta: Destination - Eutopia: Nowa Huta in Polish Documentaries – Patrycja Podgajna: Slapstick as a Utopian Weapon in Juliusz Machulski’s Embassy – Urszula Terentowicz-Fotyga: The City in 3D: Dystopian Past, Utopian Moment – Justyna Galant: The Carnivalesque Sense of the Armageddon: Richard Kelly’s Menippea – Ludmiła Gruszewska-Blaim: Fan Fiction and Dystopian Classics: Utopianising Disruptions – Elżbieta Perkowska-Gawlik: The Taming of Dystopia in Progress: A Collage of Narrative Strategies in Barry J. Gardner’s Webcomic Hyperbolic Dystopia – Zofia Kolbuszewska: Utopia, Affective Turn, Remediation and Transmediality: From the Dystopian Electronic World of We Are The Strange to the Utopia of the International Community Support for an Alternative Filmmaker – Mateusz Liwiński: Nostalgia for Dystopia: Critical Nostalgia in Lucas Pope’s Papers, Please – Grzegorz Maziarczyk: Playable Dystopia? Interactivity and Narrativity in BioShock and BioShock Infinite.