
Amazon Prime Free Trial
FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with FREE Delivery" below the Add to Cart button and confirm your Prime free trial.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited FREE Prime delivery
- Streaming of thousands of movies and TV shows with limited ads on Prime Video.
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
-56% $10.93$10.93
Ships from: Amazon Sold by: Windflower Bookstore
Save with Used - Good
$7.32$7.32
Ships from: Amazon Sold by: ZBK Wholesale

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.

Image Unavailable
Color:
-
-
-
- To view this video download Flash Player
-
-
-
2 VIDEOS
-
The Twelve Tribes of Hattie (Oprah's Book Club 2.0) Hardcover – December 6, 2012
Purchase options and add-ons
The newest Oprah’s Book Club 2.0 selection
The arrival of a major new voice in contemporary fiction.
A debut of extraordinary distinction: Ayana Mathis tells the story of the children of the Great Migration through the trials of one unforgettable family.
In 1923, fifteen-year-old Hattie Shepherd flees Georgia and settles in Philadelphia, hoping for a chance at a better life. Instead, she marries a man who will bring her nothing but disappointment and watches helplessly as her firstborn twins succumb to an illness a few pennies could have prevented. Hattie gives birth to nine more children whom she raises with grit and mettle and not an ounce of the tenderness they crave. She vows to prepare them for the calamitous difficulty they are sure to face in their later lives, to meet a world that will not love them, a world that will not be kind. Captured here in twelve luminous narrative threads, their lives tell the story of a mother’s monumental courage and the journey of a nation.
Beautiful and devastating, Ayana Mathis’s The Twelve Tribes of Hattie is wondrous from first to last—glorious, harrowing, unexpectedly uplifting, and blazing with life. An emotionally transfixing page-turner, a searing portrait of striving in the face of insurmountable adversity, an indelible encounter with the resilience of the human spirit and the driving force of the American dream.
Ayana Mathis is a graduate of the Iowa Writers’ Workshop and is a recipient of the Michener-Copernicus Fellowship. The Twelve Tribes of Hattie is her first novel.
- Print length256 pages
- LanguageEnglish
- PublisherKnopf
- Publication dateDecember 6, 2012
- Dimensions6.6 x 1.03 x 9.53 inches
- ISBN-100385350287
- ISBN-13978-0385350280
Discover the latest buzz-worthy books, from mysteries and romance to humor and nonfiction. Explore more
Frequently bought together

Customers who viewed this item also viewed
- They didn’t understand that all the love she had was taken up with feeding them and clothing them and preparing them to meet the world. The world would not love them; the world would not be kind.Highlighted by 221 Kindle readers
- Maybe we have only a finite amount of love to give. We’re born with our portion, and if we love and are not loved enough in return, it’s depleted.Highlighted by 191 Kindle readers
- There were too many disappointments to name and too much heartbreak. They were beyond punishment or forgiveness, beyond what they had inflicted on each other, beyond love.Highlighted by 135 Kindle readers
Editorial Reviews
Amazon.com Review
Exclusive: Amazon Asks Ayana Mathis
Oprah with Ayana Mathis, author of Book Club 2.0's December 2012 selection, The Twelve Tribes of Hattie.Q. Describe Oprah's Book Club 2.0® in one sentence (or, better yet, in 10 words).
A. An impassioned and powerful declaration: Books matter.
Q. What's on your bedside table or Kindle?
A. I'm often reading three or four things at a time, so I invent odd categories to keep them straight. The bedside table is home to read before-bed-but-not-on-the-subway books (heavy hardcovers like Hilary Mantel's Bring Up the Bodies), mysteries/thrillers (like Robert Wilson's A Small Death in Lisbon) and things I ought to read but are slooow going (I am now on my fifth month with Augustine's The City of God).
Q. Top three to five favorite books of all time?
A.Very hard to answer! Beloved by Toni Morrison; The Known World by Edward P. Jones; Housekeeping by Marilynne Robinson; The Sound and the Fury by William Faulkner; Cane by Jean Toomer.
Q. Important book you never read?
A. Ulysses. And also Portrait of a Lady, which shames me.
Q. Book that changed your life (or book that made you want to become a writer)?
A. I wrote throughout my childhood and thought I wanted to be a poet, but that was more a fantasy than a goal. I was 15 when someone gave me Sonia Sanchez's, I've Been a Woman—that book was a revolution in my life. I realized that I actually could be a poet, that there were black women who were writing--right then, in that moment.
Q. Memorable author moment?
A. This one? I'm so new to being an author (distinctly different from the solitary enterprise of being a writer) that every moment is unforgettable and stunning.
Q. What talent or superpower would you like to have (not including flight or invisibility)?
A. Anything Wonder Woman can do! Roping bad guys with a lasso of truth, deflecting bullets with my bracelets! Of course, I'd trade all of that for mindreading.
Q. What are you currently stressed about or psyched about?
A. I'm psyched about writing some essays on the nature of faith and belief. Writing essays is a very different process from writing fiction. I'm having a hard time with them, which is incredibly exhilarating and incredibly stressful.
Q. What's your most treasured possession?
A. My grandfather's diaries. He kept them secretly for over fifty years and gave them to me a few years before he died.
Q. Pen envy--book you wish you'd written?
A. Rita Dove's Thomas and Beulah or Yusef Komunyakaa's Magic City.
Q. Who's your current author crush?
A. Eudora Welty. There's never a wasted word in her short stories; so much power and meaning packed into a few short pages.
Q. What's your favorite method of procrastination? Temptation? Vice?
A. That's an embarrassingly long list: clothes shopping online, returning clothes I've bought online, cooking elaborate time-consuming dinners, farmer's markets, Netflix Instant (grrr, it's ruining my life).
Q. What do you collect?
A. Ways to procrastinate.
Q. Best piece of fan mail you ever got?
A. Oh dear. I've never gotten any. I'm feeling a little inadequate now.
Q. What's next for you?
A. Trying to find a way into my second novel, the idea is there but the rest isn't. Right now it's a bit like stumbling around in a dark room.
Review
—Marilynne Robinson
"The Twelve Tribes of Hattie is beautiful and necessary from the very first sentence. The human lives it renders are on every page lowdown and glorious, fallen and redeemed, and all at the same time. They would be too heartbreaking to follow, in fact, were they not observed in such a generous and artful spirit of hope, in a spirit of mercy, in the spirit of love. Ayana Mathis has written a treasure of a novel."
—Paul Harding
“Writing with stunning authority, clarity, and courage, debut novelist Mathis pivots forward in time, spotlighting intensely dramatic episodes in the lives of Hattie's nine subsequent children (and one grandchild to make the ‘twelve tribes’), galvanizing crises that expose the crushed dreams and anguished legacy of the Great Migration…Mathis writes with blazing insight into the complexities of sexuality, marriage, family relationships, backbone, fraudulence, and racism in a molten novel of lives racked with suffering yet suffused with beauty.”
—Donna Seaman, Booklist (starred)
“Remarkable…Mathis weaves this story with confidence, proving herself a gifted and powerful writer.”
—Publishers Weekly (starred)
“Cutting, emotional…pure heartbreak…though Mathis has inherited some of Toni Morrison’s poetic intonation, her own prose is appealingly earthbound and plainspoken, and the book’s structure is ingenious…an excellent debut.”
—Kirkus Reviews (starred)
About the Author
Ayana Mathis is a graduate of the Iowa Writers’ Workshop and is a recipient of the Michener-Copernicus Fellowship. The Twelve Tribes of Hattie is her first novel.
Excerpt. © Reprinted by permission. All rights reserved.
1951
Lawrence had just given the last of his money to the numbers man when Hattie called him from a public telephone a few blocks from her house on Wayne Street. Her voice was just audible over the street traffic and the baby’s high wail. “It’s Hattie,” she said, as though he would not recognize her voice. And then, “Ruthie and I left home.” Lawrence thought for a moment that she meant she had a free hour unexpectedly, and he might come and meet them at the park where they usually saw each other.
“No,” she’d said. “I packed my things. We can’t . . . we’re not going back.”
They met an hour later at a diner on Germantown Avenue. The lunch rush was over, and Hattie was the lone customer. She sat with Ruthie propped in her lap, a menu closed on the table in front of her. Hattie did not look up as Lawrence approached. He had the impression that she’d seen him walk in and had turned her head so as not to appear to be looking for him. A cloth satchel sat on the floor next to her: embroidered, somber hued, faded. A bit of white fabric stuck up through the latch. He felt a rush of tenderness at the sight of the bag flopping on the linoleum.
Lawrence lifted the satchel onto the seat as he slid into the booth. He reached across and tickled Ruthie’s cheek with his finger. He and Hattie had never discussed a future seriously. Oh, there had been plenty of sighs and wishes in the afternoon hours after they made love: they had invented an entire life out of what-ifs and wouldn’t-it-be-nices. He looked at her now and realized their daydreams were more real to him than he’d allowed himself to believe.
Lawrence wasn’t a man who got hung up on ideals or lofty sentiment; he had lived pragmatically as far as his emotions were concerned. He had a car and nice suits, and he had only infrequently worked for white men. He left his family behind in Baltimore when he was sixteen, and he had built himself up from nothing without any help from anyone. And if he had not been able to save his mother from becoming a mule, at least he had never been one himself. For most of his life, this had seemed like the most important thing, not to be anybody’s mule. Then Hattie came along with all of those children, that multitude of children, and she didn’t have a mark of them on her. She spoke like she’d gone to one of those finishing schools for society Negro girls that they have down south. It was as though she’d been dropped into a life of squalor and indignities that should not have been hers. With such a woman, if he would only try a bit harder, he might become a family man. It is true that he had not met Hattie’s children, but their names— Billups and Six and Bell— were seductive as the names of foreign cities. In his imagination they were not so much children as they were small docile copies of Hattie.
“What happened?” he asked Hattie. Ruthie kicked at her swaddling. She looked very like him. The old wives’ tale says babies look like their fathers when they are new to the world. Ruthie was light-skinned like him and Hattie, lighter than August. Of course, Lawrence had not seen Hattie’s other children and could not know that most of them were this same milky tea color.
“Did August put his hands on you?” Lawrence asked.
“He’s not that kind of man,” she answered sharply.
“Anybody is, if his manhood is wounded enough.”
Hattie looked at him in alarm.
“A lot of men, I mean,” Lawrence said.
Hattie turned her face to the window. She would need money—that was certain—and they would be able to spend more time together now that August knew the truth. Lawrence could put her up somewhere. It occurred to him now that his choices were two: run from the diner and never see her again or become, all at once, a man of substance and commitment.
“I’m so ashamed,” Hattie said. “I’m so ashamed.”
“Hattie, listen to me. Our little baby isn’t anything to be ashamed of.”
She shook her head. Later that evening, and for years to come, he would wonder if he had misunderstood her, if her shame wasn’t at having a child with him but something larger that he didn’t understand, and if it wasn’t his failure to grasp this that had doomed them. But in that moment, he thought she only needed convincing, so he talked about renting her a house in Baltimore, where he’d grown up, and how they’d bring her children from Philadelphia and what it would all be like.
Hattie’s eyes were red-rimmed, and she kept glancing over Lawrence’s shoulder. He had never seen her so skittish, so in need of him. For the first time, Lawrence felt Hattie was his. This was not proprietary but something all together more profound— he was accountable to her, wonderfully and honorably obliged to take care of her. Lawrence was forty years old. He realized that whatever he’d experienced with other women— lust? infatuation?— had not been love.
Hattie was incredulous. She refused him.
“This is our chance,” Lawrence said. “I’m telling you, we won’t ever get over it, we won’t ever forgive ourselves if we don’t do this. Baby.”
“But do you still . . . ?” she asked.
Lawrence had discussed his gambling in passing. He had told Hattie he made his living for the most part as a porter on the trains, which had been true for a few months many years ago. Hattie’s uncertainty made Lawrence understand that she did not take his gambling as lightly as he had supposed.
“I’ll stop,” he said. “I already have, really. It’s just a game or two when it’s slow with the trains.”
Hattie wept in heavy wracking sobs that shook her shoulders and upset Ruthie.
“I’ll stop,” he said again.
Lawrence slid next to Hattie on the banquette. He leaned down and kissed his daughter’s forehead. He kissed Hattie’s temple and her tears and the corner of her mouth. When she calmed, Hattie rested her head on his shoulder.
“I couldn’t stand to be a fool a second time,” Hattie said. “I couldn’t stand it.”
Hattie had hardly spoken during the four- hour drive to Baltimore. Lawrence’s was the only car on the highway— his high beams tunneled along the black road. Such a dark and quiet night, the moon was slim as a fingernail clipping and offered no light. Lawrence accelerated to fifty miles per hour, just to hear the engine rev and feel the car shoot forward. Hattie tensed in the passenger seat.
“We’re not too far now.” He reached over and squeezed Ruthie’s fat little leg. “I love you,” Lawrence said. “I love you both.”
“She’s a good baby,” Hattie replied.
August had named the baby Margaret, but Hattie and Lawrence had decided before her birth that they’d call her Ruth after Lawrence’s mother. When Ruth was nine days old, Hattie brought her to meet Lawrence in a park in his neighborhood.
“This is your father,” Hattie said, handing her to Lawrence. The baby fussed—Lawrence was a stranger to her—but he held her until she quieted. “Hush, hush, little Ruthie girl, hush, hush,” he said. Tears rose in his throat when the visit ended and Hattie took the baby back to Wayne Street. In the hours and days until he next saw her, Lawrence thought of Ruthie every instant: now she is hungry, now she is asleep. Now she is cooing in the arms of the man who is not her father. It was possible, of course, that Hattie was mistaken and Ruthie was August’s baby, but Lawrence knew, he knew in a way that was not logical and could not be explained, that she was his child.
Lawrence tightened his grip on the steering wheel until his fingers ached. “They never made a car better than the ’44 Buick. I told you it was a smooth ride,” he said. “Didn’t I tell you? I drove this car all the way to Chicago once to see my cousin.”
“You told me,” Hattie said.
A car passed in the opposite direction. Hattie put her hand over Ruthie’s eyes to shield her from the headlight glare.
“You’ll like Baltimore,” Lawrence said. “You’ll see.”
He did not know if she would. They were to live in a couple of rooms in a boardinghouse until he could get the money together to rent a house. A place large enough for all Hattie’s children would cost twenty-five dollars a week. Lawrence could make that money easily; he could pull six months’ rent in a single night with a couple of good hands. It wasn’t the money that made him nervous, though he was skinned at the moment.
“ ‘As the sparks fly upward . . . ,’ ” Hattie said. “It’s from the Bible,” she added.
“Well, that’s dismal. Don’t you remember anything else?” Hattie shrugged.
“Guess not,” Lawrence said.
He reached over and tapped her playfully on the knee with the back of his hand. She stiffened. “Come on, baby. Come on, let’s try and be a little bit happy. This is a happy occasion, isn’t it?”
“I like that verse. It makes me feel like I’m not alone,” Hattie said. She shifted away from him in her seat. “You’re going to pick up more shifts on the railroads, right?” she asked.
“We talked about this. You know I will.”
Lawrence felt Hattie’s gaze on him, uncertain and frightened. Her shine was going, Lawrence thought. There was something used and gray about her these days. Lawrence did not want Hattie to be a normal woman, just any old downtrodden colored woman. Hadn’t he left Maryland to be free of them? And hadn’t he married his ex-wife because she was glamorous as a rhinestone? It did not occur to him that he contributed to the fear and apprehension that had worn Hattie down.
He missed the Hattie he’d found so irresistible when they met— a little steely, a little inaccessible, angry enough to put a spring in her step and a light in her eye. Just angry enough to keep her going, like Lawrence. And there was another side of her, the one that yearned and longed for something she wouldn’t ever have— the two of them had that in common too. Lawrence took Hattie to New York a few months before she got pregnant. The trip had required elaborate lies— Hattie told August and her sister Marion that she’d been hired to cook for a party at a white woman’s place way out on the Main Line and that she had to stay overnight. Marion kept the children. Lawrence had not anticipated Hattie’s guilt, but it had cast a pall over their trip, and over New York City itself— or so Lawrence thought until the next day when they were driving back to Philadelphia. As they drove out of the Holland Tunnel, Hattie turned for one last glimpse of the city’s ramparts glowing in the setting sun. Then she slumped in her seat. “Well, that’s gone,” she said. Something in the New York streets was familiar to her. More than familiar, she said, she felt she belonged there. Lawrence understood. It seemed to him that every time he made one choice in his life, he said no to another. All of those things he could not do or be were huddled inside of him; they might spring up at any moment, and he would be hobbled with regret. He pulled to the shoulder of the road and held her. She was a beating heart in his hand.
Lawrence hardly recognized the distant, distraught woman next to him now. “You act like your whole life was one long January afternoon,” Lawrence said. “The trees are always barren and there’s not a flower on the vine.”
“It wouldn’t do any good to go around with my head in the clouds.”
“It would sometimes, Hattie. It sure would.”
He was responsible for her now. She might, he thought, at least try to be a little more . . . Well, after all they were starting a life together that very day, that very moment. Lawrence needed her steeliness. He needed her resolve to bolster his own. More was required than his charms and his sex and a bit of laughter and forgetting. He had to be better than August.
That bum. August was always out at nightclubs or at the jukes. Lawrence saw him once at a supper club where all the dicty Negroes went. August was on a date; he was all dressed up like the mayor of Philadelphia while Hattie was at home on Wayne Street elbow deep in dishwater. August could have gotten a decent job, but he chose to work catch as catch can at the Navy Yard out of pure laziness. A man had to be responsible. Lawrence was responsible. Whatever else he might be, he took care of his own. He had this Buick, didn’t he? Free and clear. And a house in a decent neighborhood. He’d kept his ex- wife in nice dresses while they were married and was still keeping her in them now that they were divorced. He saw his daughter once a week— didn’t miss a visit unless there was something really important, no, something damn near unavoidable. She was the picture of good health, didn’t want for anything. There were all kinds of ways to be responsible. Maybe he hadn’t made his money in the way most people would approve of, but none of his had ever gone without.
“You have to take some joy from the little things, baby. Look at this— fireworks!”
A gold flare rose above the treetops and peacocked into a fan of light over the highway. “Isn’t that something?” he said. “We must be closer to Baltimore than I thought.”
Hattie barely glanced at the lights bursting overhead.
“Hey,” Lawrence said, after a few moments, “do you plait your hair at night?”
“What?”
“Your hair. Do you plait it at night and tie it down with a scarf?”
“What kind of a thing is that to ask?”
“I just . . . I guess I just realized I didn’t know.”
“Oh, Lawrence,” Hattie said. Her voice quivered. After a long pause, she said, “I tie it down.”
Product details
- Publisher : Knopf; 1st edition (December 6, 2012)
- Language : English
- Hardcover : 256 pages
- ISBN-10 : 0385350287
- ISBN-13 : 978-0385350280
- Item Weight : 1.25 pounds
- Dimensions : 6.6 x 1.03 x 9.53 inches
- Best Sellers Rank: #411,988 in Books (See Top 100 in Books)
- #571 in Black & African American Historical Fiction (Books)
- #5,265 in Family Saga Fiction
- #23,083 in Literary Fiction (Books)
- Customer Reviews:
Videos
Videos for this product
1:56
Click to play video
Oprah Interviews Ayana MathisMerchant Video
Videos for this product
2:08
Click to play video
Oprah Book Club 2.0 Selection AnnouncementMerchant Video
About the author

Ayana Mathis is a graduate of the Iowa Writers’ Workshop and is a recipient of the Michener-Copernicus Fellowship. The Twelve Tribes of Hattie is her first novel.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find the book's writing descriptive and well-written, with complex and rich characters. Moreover, they appreciate its educational value, describing it as serious literature for serious thinkers that provides insight into human qualities. However, the emotional content receives mixed reactions, with some finding it poignant while others describe it as depressing. Additionally, the storyline receives mixed feedback, with some praising its twists and turns while others find it unfulfilling, and the development receives criticism for being poorly developed and disjointed.
AI-generated from the text of customer reviews
Customers find the book engaging and interesting, with one customer noting it has entertaining moments.
"...In summary, a strong start and fantastic finish make this story my favorite of the (non-classic) Oprah picks...." Read more
"...I enjoyed the book because I could imagine (Hattie’s sister) Pearl’s desperation for a child...." Read more
"...I would have missed this powerful and captivating first novel by Ayana Mathis had it not been for Oprah Winfrey...and I will be forever grateful for..." Read more
"...All of the characters are delivered with such depth of feeling and emotion that you feel as if you know each and every one personally...." Read more
Customers praise the writing quality of the book, noting its descriptive and poetic prose, with one customer highlighting its sparse style.
"...of the Shepherd kids and their dealings with diversity, was the excellent writing, both in character development and descriptions...." Read more
"...The writing was poignant, touched my heart, and made my eyes moisten at times. That in itself is a feat for a writer...." Read more
"I think the author did an excellent job of presenting to the reader six decades of the Shepherd's family life...." Read more
"...was only minimal - a great testimony to the power and skill of Mathis' writing...." Read more
Customers appreciate the character development in the book, noting that the characters are complex and rich, with one customer highlighting how the author gets inside their heads.
"...What I loved best, besides the varying personalities of the Shepherd kids and their dealings with diversity, was the excellent writing, both in..." Read more
"Liked the characters, but didn't really get to know them or know if their situations turned out okay...." Read more
"...is a bit harsh, the book does indeed have a tiresome and trite habit of portraying men (particularly black men) in a negative light...." Read more
"...All of the characters are delivered with such depth of feeling and emotion that you feel as if you know each and every one personally...." Read more
Customers find the book enlightening, describing it as serious literature for serious thinkers that provides great insight into human qualities and how experiences shape the future.
"...it is a sad story guided by a tragedy in their lives but I found hints of hope, promise, awakening and love, yes love...." Read more
"...offer a panoramic vision of Black America and the renewing power of hope and change." Read more
"...This debut novel is serious literature for seroius thinkers...." Read more
"...Ayana Mathis uses clear and powerful language that gives one an understanding of human qualities...." Read more
Customers have mixed reactions to the emotional content of the book, with some finding it poignant and appreciating Hattie's innermost feelings and emotions, while others describe it as a depressing story that lets them down as it progresses.
"...The writing was poignant, touched my heart, and made my eyes moisten at times. That in itself is a feat for a writer...." Read more
"...And the idea I got from the end of the book was confusing. What is the message there?..." Read more
"...These sketches of "the tribe" are just overflowing with feeling and elements of Black culture, in the style of Toni Morrison...." Read more
"...Hattie doesn't show much emotional or spiritual growth over the course of the novel, leaving the reader with too little substance on which to..." Read more
Customers have mixed opinions about the storyline of the book, with some praising its great plot and full of twists and turns, while others find it unfulfilling and unfinished.
"...I loved the last chapter...." Read more
"...but this book seemed like it didn't quite fit together, like it wasn't finished or information was missing or something...." Read more
"...Hattie and those around her in such a way that the historical components of the time was not lost...." Read more
"...Although this book has no climax and no real ending, I love the last chapter...." Read more
Customers criticize the book's narrative structure, noting that it lacks development and consists of separate, disjointed chapters that don't always relate to each other.
"...It was interesting that each story is left unfinished so you are left to wonder what happens next." Read more
"The writing here is indeed superb, but the story is a bit disjointed and the treatment of black males in this novel is absolutely horrendous...." Read more
"...is that a lot of interesting stories were begun but not developed before a new story began...." Read more
"...If the editors are not at fault, then the story lacks knowledge of acts and facts of sexual encounters leading the reader to assume the author has..." Read more
Customers find the book's subject matter depressing and not particularly engaging.
"...I also found her notes and underlined passages to be distracting and annoying...." Read more
"...me a few months to finish the book, simply because its subject matter is so very heavy, it is worth the read...." Read more
"...off with a painful experience, but the writing and situation draws you in immediately...." Read more
"...As suspected, all the men in Hattie's life were womanizing, lazy, and useless. Her life was meaningless...." Read more
Reviews with images

Love Is Hidden In The Struggle!!!
Top reviews from the United States
There was a problem filtering reviews. Please reload the page.
- Reviewed in the United States on December 28, 2012Hattie, the title character, is still a teen when she takes up with August, mostly "because he was a secret from her mama, and because it thrilled her to go out with a country boy she thought beneath her." After a shotgun wedding, they marry. She gives birth to twins, Philadelphia and Jubilee, who die of pneumonia in the first chapter, a fact that, unfortunately, is noted on the dust jacket (and why I don't feel bad revealing it here). This sets the tone for the tale. The next chapter, Floyd 1948, follows their musician son. Each successive chapter spotlights the life of one of the Shepherd children (though one chapter follows two, for reasons that become obvious, and one concerns a grandchild) during a short, specific period in their adult life. Siblings sometimes appear in each others' stories. Only Hattie shows up (if I remember right) in every chapter.
About halfway through the book, what came to mind was that the there sure was a lot of violence, adultery, drunkenness, gambling and other irresponsible behavior in the book, as well as an abundance of intramarital and extramarital sex. But, by that time, I was committed to learning about the rest of the family, so I continued. Then I reached the chapter entitled Alice and Billups 1954, which was different than the others. I loved it. Franklin 1969 was even better and that continued (better and better, bleaker and bleaker) throughout. As I neared the end of the story and realized what was about to happen, I knew that that event would have really ruined it for me and thought, "Don't do it." It came as a bit of a surprise that the author chose not to go down that (commonly traveled) road and let readers down with a happening that didn't (in my mind) fit the circumstances. I'll bet others will feel differently.
What I loved best, besides the varying personalities of the Shepherd kids and their dealings with diversity, was the excellent writing, both in character development and descriptions. I include my top five favorite excerpts below:
(p 37) "The sun rose in an angry orange ball. Could be another earth, another earth just like this one all up in flames. The upper sky was still a dark layer of purple clouds. [ ] turned the key in the ignition and thought, I should hang myself like Judas."
(p 78) `"You act like your whole life was one long January afternoon...The trees are always barren and there's not a flower on the vine."'
(p 139) "...when assembled, the [Shepherd] family put her in mind of a group of roaming solitary creatures rounded up and caged together like captured leopards."
(p 185) "She felt as though her insides were nothing but air--if she got up from her bed, she would bounce slowly along the floor like a balloon."
(p 233) "Sala woke in the deepest part of the night, when the furrowing, burrowing creatures are quiet in their dens and the night hunters have eaten their fill or given up the chase."
In summary, a strong start and fantastic finish make this story my favorite of the (non-classic) Oprah picks. Also good: The Help by Kathryn Stockett, All Aunt Hagar's Children by Edward P. Jones, and Olive Kitteridge by Elizabeth Strout.
- Reviewed in the United States on October 28, 2015It was a struggle for Hattie to put herself together after losing her twins. Losing her babies was a partial disintegration of herself. She could not move beyond her grief, even when she had more children.
I believe she loved the children born after the twins, but chronic depression affected her in a way that was detrimental to their upbringing. Her husband August’s instability added to her depression.
Although August was unreliable as a husband and father, he had no difficulty expressing a little tenderness to his children. Yet August was a soft man who lacked character. He was too easy, too carefree, a spendthrift who enjoyed the bars, women and good times.
In essence, August was egocentric.
I loved Hattie’s character. I saw her as a strong woman, yet her grief kept her tethered to a man that caused a great deal of her emotional disability. She could not lift herself out of the mire from him.
Her brief affair with Lawrence showed her lack of direction. However, Lawrence made her feel good, made her laugh and gave her hope. But Lawrence’s compulsion would have spiraled out of control. Lawrence would have sent Hattie into a tailspin of profound depression. Lawrence could not offer her permanence and stability.
Hattie and August’s dysfunction and instability affected the children as adults. Their adult children had their own destructive behaviors and demons to deal with.
I enjoyed the book because I could imagine (Hattie’s sister) Pearl’s desperation for a child. I could imagine Hattie’s loss and the effects of depression on her psyche.
The writing was poignant, touched my heart, and made my eyes moisten at times. That in itself is a feat for a writer.
I would have liked the book to end with Bell, who I found destructive. I will not say more than that.
The only error I found was Lawrence’s discussion of Robert Kennedy in Bell’s chapter (1975). Robert Kennedy died June 6, 1968.
Errors happen in editing and in historical facts. No one knows this more than I do.
I suggest you read the book. It is a great read.
- Reviewed in the United States on December 30, 2012Liked the characters, but didn't really get to know them or know if their situations turned out okay. I like the way this author writes, but this book seemed like it didn't quite fit together, like it wasn't finished or information was missing or something. We meet several of Hattie's kids and they all seem to have some serious issues but I don't get why. Hattie seemed like a good mother. Not very affectionate, but the kids seemed to be taken care of and not abused by their parents in any way. I don't get why her children were all in such a bad way. Something is missing in the story to make that connection. I liked the characters though and wanted very much to get to know them better. And the idea I got from the end of the book was confusing. What is the message there? When you feel confused and maybe defeated or don't know where to turn, don't turn to God? I mean, I presume that Hattie wants to be more hands on with this grandchild so that she doesn't turn out the way her children did, but I didn't understand why she did what she did in the church. Or maybe I do get it, but I'm not sure if that is the message the author wanted to convey.
Top reviews from other countries
- Sarah BanjuReviewed in the United Kingdom on August 27, 2015
5.0 out of 5 stars Loved it the minute Oprah described it, and she is, as always true to her word...A worthy read and wonderful keepsake.
Wonderful story keeps you hooked from the start, the characters and people are so real, you feel and know them and slow down towards the end so as not to end this wonderful reading experience, a treasure.
- LindaMReviewed in Italy on March 1, 2013
4.0 out of 5 stars Interesting read
Great book - thanks Oprah!!! Captures your interest from the beginning and will maintain your interest to the very end!
-
ButterflyReviewed in Germany on February 25, 2015
4.0 out of 5 stars Portrait einer Mutter durch ihre Kinder
Dieses Buch portraitiert eine Frau aus den Geschichten über ihre Kinder. Der Aufbau hat mir gut gefallen, der Schreibstil hat mich nicht immer überzeugt. Auf jeden Fall hat es mir einen Einblick in das Leben und die Probleme der amerikanischen Afrikaner über eine Zeitspanne von etwa 60 Jahren gewährt. Ich schätze es als kulturelle Bereicherung.
-
lectrice anglophoneReviewed in France on May 25, 2015
5.0 out of 5 stars Une Histoire Bouleversante
Ou plutôt des histoires bouleversantes car dans chaque chapitre on suit un des enfants d'Hattie Shepherd petite noire de 15 ans dans les années 1920 quittant le Sud pour s'établir à Philadelphie. (Mais pas si "noire" que ça car l'auteure nous la décrit comme "high yellow") Ayana Mathis dont ceci est le premier roman a un vrai don pour l'écriture; son style est lyrique, puissant, captivant. (J'ai lu ce roman en 24 heures.) Le premier chapitre avec la mort des jumeaux d'Hattie vous laisse la gorge serrée. Mais l'auteure ne tombe jamais dans le pathos à outrance, malgré les thèmes abordés comme la schizophrénie ou la pédophilie. La fin reste assez ouverte pour que chaque lecteur trouve son compte. Quant à moi j'aurais voulu rester encore longtemps en compagnie de la famille Shepherd.
- Jean-PaulReviewed in Canada on December 3, 2020
5.0 out of 5 stars Love to read
If you like her recommendations you will love this book.